The march interrupted the light afternoon.
Cars stopped dead, children began to run,
As out of the street-shadow into the sun
Discipline strode, music bullying aside
The credulous, prettily-coloured crowd,
Evoking an over-confident, over-loud
Holiday where the flags lisped and beckoned,
And all was focused, larger than we reckoned,
Into a consequence of thirty seconds.
The stamp and dash of surface sound cut short
Memory, intention, thought,
The vague heart sharpened to a candid court
Where exercised a sudden flock of visions
Honeycombs of heroic separations,
Pure marchings, pure apparitions,
Until the crowd closed in behind.
Then music drooped. And what came back to mind
Was not its previous habit, but a blind
Astonishing remorse for things now ended
That of themselves were also rich and splendid
(But unsupported broke, and were not mended) -
Astonishing, for such things should be deep,
Rarely exhumable not in a sleep
So light they can awake and occupy
An absent mind when any march goes by
I am busy working to bring Philip Arthur Larkin's "The March Past" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Philip Arthur Larkin's life and contributions to literature.
Check back soon to experience how "The March Past" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.