That’s the down-town frieze,
Principally the church steeple,
A black line beside a white line;
And the stack of the electric plant,
A black line drawn on flat air.
It is a morbid light
In which they stand,
Like an electric lamp
On a page of Euclid.
In this light a man is a result,
A demonstration, and a woman,
Without rose and without violet,
The shadows that are absent from Euclid,
Is not a woman for a man.
The paper is whiter
For these black lines.
It glares beneath the webs
Of wire, the designs of ink,
The planes that ought to have genius,
The volumes like marble ruins
Outlined and having alphabetical
Notations and footnotes.
The paper is whiter.
The men have no shadows
And the women have only one side.
I am busy working to bring Wallace Stevens's "The Common Life" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Wallace Stevens's life and contributions to literature.
Check back soon to experience how "The Common Life" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.