In the first canto of the final canticle,
Too conscious of too many things at once,
Our man beheld the naked, nameless dame,
Seized her and wondered: why beneath the tree
She held her hand before him in the air,
For him to see, wove round her glittering hair.
Too conscious of too many things at once,
In the first canto of the final canticle,
Her hand composed him and composed the tree.
The wind had seized the tree and ha, and ha,
It held the shivering, the shaken limbs,
Then bathed its body in the leaping lake.
Her hand composed him like a hand appeared,
Of an impersonal gesture, a stranger’s hand.
He was too conscious of too many things
In the first canto of the final canticle.
Her hand took his and drew him near to her.
Her hair fell on him and the mi-bird flew
To the ruddier bushes at the garden’s end.
Of her, of her alone, at last he knew
And lay beside her underneath the tree.
I am busy working to bring Wallace Stevens's "The Hand as a Being" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Wallace Stevens's life and contributions to literature.
Check back soon to experience how "The Hand as a Being" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.