A still, sweet, placid, moonlight face,
And slightly nonchalant,
Which seems to claim a middle place
Between one's love and aunt,
Where childhood's star has left a ray
In woman's sunniest sky,
As morning dew and blushing day
On fruit and blossom lie.
And yet,—and yet I cannot love
Those lovely lines on steel;
They beam too much of heaven above,
Earth's darker shades to feel;
Perchance some early weeds of care
Around my heart have grown,
And brows unfurrowed seem not fair,
Because they mock my own.
Alas! when Eden's gates were sealed,
How oft some sheltered flower
Breathed o'er the wanderers of the field,
Like their own bridal bower;
Yet, saddened by its loveliness,
And humbled by its pride,
Earth's fairest child they could not bless,
It mocked them when they sighed.
I am busy working to bring Oliver Wendell Holmes, Sr.'s "A still, sweet, placid, moonlight face" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Oliver Wendell Holmes, Sr.'s life and contributions to literature.
Check back soon to experience how "A still, sweet, placid, moonlight face" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.