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[Found in the trap where he had been confined all night by Dr Priestiey, for the sake of making experiments with different kinds of air.]
Oh! hear a pensive prisoner's prayer,
For liberty that sighs,
And never let thine heart be shut
Against the wretch's cries.
For here forlorn and sad I sit,
Within the wiry grate;
And tremble at th' approaching morn,
Which brings impending fate.
If e'er thy breast with freedom glow'd,
And spurn'd a tyrant's chain,
Let not thy strong oppressive force
A free-born mouse detain.
Oh! do not stain with guiltless blood
Thy hospitable hearth;
Nor triumph that thy wiles betray'd
A prize so little worth.
The scattered gleanings of a feast
My frugal meals supply;
But if thine unrelenting heart
That slender boon deny,
The cheerful light, the vital air,
Are blessings widely given;
Let nature's commoners enjoy
The common gifts of heaven.
The well-taught philosophic mind
To all compassion gives;
Casts round the world an equal eye,
And feels for all that lives.
If mind, as ancient sages taught,
A never dying flame,
Still shifts thro' matter's varying forms,
In every form the same,
Beware, lest in the worm you crush
A brother's soul you find;
And tremble lest thy luckless hand
Dislodge a kindred mind.
Or, if this transient gleam of day
Be all of life we share,
Let pity plead within thy breast
That little all to spare.
So may thy hospitable board
With health and peace be crown'd;
And every charm of heartfelt ease
Beneath thy roof be found.
So, when destruction lurks unseen,
Which men, like mice, may share,
May some kind angel clear thy path,
And break the hidden snare.
Anna Laetitia Barbauld’s The Mouse’s Petition (1773) is a deceptively simple poem that belies profound philosophical, ethical, and political concerns. Written in the voice of a mouse trapped by the scientist Joseph Priestley for his experiments on gases, the poem transcends its immediate context to interrogate Enlightenment ideals of reason, compassion, and the moral responsibilities of scientific inquiry. Barbauld, a prominent literary figure of the late 18th century, engages with themes of liberty, empathy, and the interconnectedness of all living beings, weaving together sentimental appeal with intellectual rigor. This essay explores the poem’s historical and cultural context, its literary devices, thematic depth, and emotional resonance, while also considering its relevance to contemporary ethical debates.
The 18th century was an era of radical scientific advancement, with figures like Joseph Priestley—a chemist, theologian, and political radical—at the forefront of experimental inquiry. Priestley’s experiments on gases often involved live animals, a practice that Barbauld subtly critiques in The Mouse’s Petition. The poem emerges from a cultural moment where the tension between scientific progress and ethical responsibility was becoming increasingly pronounced. While the Enlightenment championed reason and empirical investigation, Barbauld’s poem reminds us that unchecked rationality devoid of compassion risks moral desensitization.
Barbauld’s poem aligns with the sentimentalist tradition, which emphasized emotion as a moral guide. The late 18th century saw growing philosophical interest in animal welfare, influenced by thinkers like Jeremy Bentham, who famously argued that the ethical question was not whether animals could reason, but whether they could suffer. Barbauld’s anthropomorphic appeal—giving voice to the mouse—reflects this burgeoning sensitivity toward non-human life. The poem thus serves as an early precursor to modern animal rights discourse.
Written in the wake of the American and French Revolutions, The Mouse’s Petition also resonates with political themes of liberty and oppression. The mouse’s plea—"If e'er thy breast with freedom glow’d, / And spurn’d a tyrant’s chain"—subtly parallels contemporary anti-slavery rhetoric and revolutionary ideals. Barbauld, who was politically engaged, uses the mouse’s captivity as a metaphor for broader struggles against tyranny, whether in the laboratory or the sociopolitical sphere.
The poem employs a dramatic monologue, with the mouse as the speaker, a technique that heightens pathos by personalizing suffering. The anthropomorphism is not merely whimsical but serves a moral purpose: by inhabiting the mouse’s perspective, Barbauld compels the reader to confront the ethical implications of human actions. The choice of a "petition"—a formal plea—elevates the mouse’s struggle to a matter of justice, framing its captivity as a violation of natural rights.
Barbauld’s imagery oscillates between vulnerability and universality. The "wiry grate" symbolizes both physical confinement and the broader constraints imposed by human dominance over nature. The "cheerful light" and "vital air" represent fundamental freedoms that should be "widely given," reinforcing the poem’s argument for the equitable distribution of life’s necessities. The final stanza’s "hidden snare" serves as a metaphor for unforeseen moral pitfalls, warning against the arrogance of assuming human superiority.
The poem’s argument unfolds through a series of logical and emotional appeals:
Pathos: The mouse’s "pensive," "forlorn" state evokes sympathy.
Ethos: The invocation of the "well-taught philosophic mind" appeals to reason and moral education.
Logos: The reference to "ancient sages" and the transmigration of souls introduces a philosophical rationale for compassion.
This multi-pronged approach ensures that the poem speaks to both heart and intellect, making its plea all the more compelling.
At its core, The Mouse’s Petition interrogates the moral limits of scientific inquiry. While Priestley’s experiments aimed to expand human knowledge, Barbauld questions whether such ends justify the means. The line "Oh! do not stain with guiltless blood / Thy hospitable hearth" suggests that scientific curiosity, when divorced from empathy, becomes a form of violence. This tension remains relevant today in debates over animal testing, medical ethics, and environmental exploitation.
Barbauld draws on Pythagorean and Lockean ideas of shared consciousness, proposing that "mind" may inhabit all living forms:
"If mind, as ancient sages taught, / A never dying flame, / Still shifts thro' matter’s varying forms, / In every form the same."
This metaphysical argument destabilizes anthropocentrism, implying that cruelty toward animals may inadvertently harm a "brother’s soul." The poem thus anticipates ecocritical thought, emphasizing ecological interdependence.
While the Enlightenment is often associated with cold rationality, Barbauld reclaims its humanistic roots, asserting that true enlightenment lies in compassion. The "philosophic mind" she praises is not one that dissects life dispassionately but one that "feels for all that lives." This aligns with the moral philosophy of contemporaries like Adam Smith, who saw sympathy as foundational to ethics.
Barbauld’s genius lies in her ability to evoke profound empathy through simplicity. The mouse’s trembling at "th’ approaching morn" imbues its fate with tragic inevitability, while its modest request—"The scattered gleanings of a feast"—underscores the humility of its needs. The final stanza’s blessing ("May some kind angel clear thy path") transforms the poem from protest into a benediction, disarming hostility and appealing to the reader’s better nature.
Barbauld’s poem invites comparison with other works that grapple with the ethics of dominion:
William Blake’s The Fly: Both poems challenge human presumption by elevating the perspective of a small creature.
Robert Burns’s To a Mouse: While Burns’s poem reflects on the unpredictability of life, Barbauld’s is more explicitly a moral appeal.
Jonathan Swift’s A Modest Proposal: Like Swift, Barbauld uses irony to critique Enlightenment rationality’s darker implications.
The Mouse’s Petition is a masterful synthesis of sentiment and intellect, using a seemingly minor incident to probe profound ethical questions. By giving voice to the voiceless, Barbauld challenges the hierarchies of her time—scientific, political, and philosophical. Her poem remains startlingly relevant, urging us to consider the moral weight of our actions toward all living beings. In an age of climate crisis and biotechnological advancement, Barbauld’s plea for compassion, rooted in Enlightenment humanism, resonates with renewed urgency. The poem endures not only as a literary achievement but as a timeless call to ethical mindfulness.
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