To the Heavens above us
O look and behold
The Planets that love us
All harnessed in gold!
What chariots, what horses
Against us shall bide
While the Stars in their courses
Do fight on our side?
All thought, all desires,
That are under the sun,
Are one with their fires,
As we also are one:
All matter, all spirit,
All fashion, all frame,
Receive and inherit
Their strength from the same.
(Oh, man that deniest
All power save thine own,
Their power in the highest
Is mightily shown.
Not less in the lowest
That power is made clear.
Oh, man, if thou knowest,
What treasure is here!)
Earth quakes in her throes
And we wonder for why!
But the blind planet knows
When her ruler is nigh;
And, attuned since Creation
To perfect accord,
She thrills in her station
And yearns to her Lord.
The waters have risen,
The springs are unbound—
The floods break their prison,
And ravin around.
No rampart withstands 'em,
Their fury will last,
Till the Sign that commands 'em
Sinks low or swings past.
Through abysses unproven
And gulfs beyond thought,
Our portion is woven,
Our burden is brought.
Yet They that prepare it,
Whose Nature we share,
Make us who must bear it
Well able to bear.
Though terrors o'ertake us
We'll not be afraid.
No power can unmake us
Save that which has made.
Nor yet beyond reason
Or hope shall we fall—
All things have their season,
And Mercy crowns all!
Then, doubt not, ye fearful—
The Eternal is King—
Up, heart, and be cheerful,
And lustily sing:—
What chariots, what horses
Against us shall bide
While the Stars in their courses
Do fight on our side?
Rudyard Kipling's "An Astrologer's Song" is a profound exploration of cosmic interconnectedness, human resilience, and the eternal dance between celestial bodies and earthly existence. This 1923 poem, often overlooked in Kipling's vast oeuvre, deserves closer scrutiny for its intricate weaving of astrological imagery, philosophical musings, and spiritual undertones. Through a careful analysis of its structure, themes, and literary devices, we can uncover the layers of meaning embedded within this celestial ode and appreciate its relevance to both Kipling's time and our own.
The poem consists of nine stanzas, each containing eight lines, following an ABABCDCD rhyme scheme. This consistent structure mirrors the orderly movement of celestial bodies, reinforcing the poem's theme of cosmic harmony. The regularity of the meter, predominantly iambic trimeter, creates a rhythmic cadence reminiscent of a chant or incantation, befitting the mystical nature of the subject matter.
Kipling's choice to bookend the poem with the same quatrain is particularly significant. This circular structure not only emphasizes the cyclical nature of celestial movements but also provides a sense of completion and eternal return, echoing the astrological concept of recurring planetary alignments.
Throughout the poem, Kipling employs vivid astrological imagery, personifying celestial bodies and natural phenomena. The opening lines, "To the Heavens above us / O look and behold / The Planets that love us / All harnessed in gold!" immediately establish a personal connection between humanity and the cosmos. By depicting the planets as "harnessed in gold," Kipling evokes both their visual splendor and the idea of cosmic forces yoked in service to humanity.
The personification extends to Earth itself, described as a "blind planet" that "knows / When her ruler is nigh." This anthropomorphic treatment of celestial bodies serves to collapse the perceived distance between the earthly and the divine, suggesting an intimate relationship between all elements of the universe.
A central theme of the poem is the interconnectedness of all things, from the grandest cosmic scale to the most minute earthly detail. Kipling articulates this concept in the lines "All thought, all desires, / That are under the sun, / Are one with their fires, / As we also are one." This notion of unity between human consciousness and celestial fire echoes Hermetic philosophy's principle of "as above, so below," suggesting that patterns and truths exist across all levels of existence.
Furthermore, the poem posits that all matter and spirit "Receive and inherit / Their strength from the same" source, reinforcing the idea of a universal energy or divine power that permeates all of creation. This concept serves to elevate human existence by connecting it to the grand cosmic design while simultaneously humbling humanity by emphasizing its place within a vast, interconnected system.
Interestingly, Kipling interrupts the flow of cosmic reverence to address human arrogance directly. The parenthetical stanza beginning with "Oh, man that deniest / All power save thine own" serves as a pointed criticism of those who fail to recognize the greater forces at work in the universe. This rebuke of human hubris is particularly poignant coming from Kipling, often associated with the imperialist ethos of his time. Here, he suggests that true power and wisdom lie in acknowledging one's place within the cosmic order rather than attempting to exert dominion over it.
Kipling's description of earthly phenomena as responses to celestial movements is particularly striking. Earthquakes are portrayed not as random geological events but as Earth's reaction to the proximity of its "ruler." Similarly, floods are depicted as a response to a cosmic "Sign." This interpretation of natural events as a form of communication between Earth and the heavens imbues the physical world with a sense of purpose and consciousness, further blurring the lines between the material and the spiritual.
The poem grapples with the tension between fatalism and free will, a common theme in astrological thought. Lines such as "Our portion is woven, / Our burden is brought" suggest a predetermined fate, aligning with the astrological concept of celestial influences shaping human destinies. However, Kipling balances this with an affirmation of human resilience and adaptability: "Make us who must bear it / Well able to bear." This nuanced perspective suggests that while cosmic forces may shape our circumstances, our response to these circumstances remains within our control.
Despite its acknowledgment of "terrors" and challenges, the poem ultimately offers a message of comfort and reassurance. The assertion that "No power can unmake us / Save that which has made" suggests a fundamental security in the cosmic order. This idea is further developed in the penultimate stanza, which declares, "All things have their season, / And Mercy crowns all!" This sentiment echoes biblical wisdom literature, particularly Ecclesiastes, and provides a sense of ultimate benevolence in the universe's design.
"An Astrologer's Song" stands as a testament to Kipling's ability to weave complex philosophical and spiritual concepts into accessible, rhythmic verse. Through its exploration of cosmic interconnectedness, the poem challenges readers to consider their place within the vast tapestry of existence. It offers a perspective that is simultaneously humbling and empowering, acknowledging human limitations while celebrating our capacity to understand and harmonize with the cosmic order.
The poem's relevance extends beyond its historical context, speaking to perennial human concerns about fate, free will, and our relationship with the natural world. In an age of increasing ecological awareness and renewed interest in holistic worldviews, Kipling's cosmic vision resonates with contemporary readers seeking to reconnect with the rhythms of the natural world and the broader universe.
Ultimately, "An Astrologer's Song" invites us to look beyond our immediate concerns and consider our place within the grand cosmic dance. It challenges us to find strength and purpose in our connection to the universe while maintaining humility in the face of forces far greater than ourselves. In doing so, it offers a poetic framework for navigating the complexities of existence, guided by the eternal movements of the stars.