"Oh! Acme love!" Septimius cried,
As on his lap he held his bride,
"If all my heart is not for thee,
And doats not on thee desperately,
And if it doat not more and more,
As desperate heart ne'er did before.
May I be doomed, on desart ground,
To meet the lion in his round!"
He said, and Love, on tiptoe near him,
Kind at last, and come to cheer him,
Clapped his little hands to hear him.
But Acme to the bending youth
Just dropping back that rosy mouth,
Kissed his reeling, hovering eyes,
And "O my life, my love!" replies,
"So may our constant service be
To this one only Deity,
As with a transport doubly true
He thrills your Acme's being through!"
She said; and Love, on tiptoe near her,
Kind at last, and come to cheer her,
Clapped his little hands to hear her.
Favoured thus by heaven above,
Their lives are one return of love;
For he, poor fellow, so possessed,
Is richer than with East or West,
And she, in her enamoured boy,
Finds all that she can frame of joy.
Now who has seen, in Love's subjection.
Two more blest in their connection,
Or a more entire affection?
I am busy working to bring Leigh Hunt's "Acme and Septimius" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Leigh Hunt's life and contributions to literature.
Check back soon to experience how "Acme and Septimius" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.