What heroes from the woodland sprung,
When, through the fresh awakened land,
The thrilling cry of freedom rung,
And to the work of warfare strung
The yeoman's iron hand!
Hills flung the cry to hills around,
And ocean-mart replied to mart,
And streams, whose springs were yet unfound,
Pealed far away the startling sound
Into the forest's heart.
Then marched the brave from rocky steep,
From mountain river swift and cold;
The borders of the stormy deep,
The vales where gathered waters sleep,
Sent up the strong and bold,—
As if the very earth again
Grew quick with God's creating breath,
And, from the sods of grove and glen,
Rose ranks of lion-hearted men
To battle to the death.
The wife, whose babe first smiled that day.
The fair fond bride of yestereve,
And aged sire and matron gray,
Saw the loved warriors haste away,
And deemed it sin to grieve.
Already had the strife begun;
Already blood on Concord's plain
Along the springing grass had run,
And blood had flowed at Lexington,
Like brooks of April rain.
That death-stain on the vernal sward
Hallowed to freedom all the shore;
In fragments fell the yoke abhorred—
The footstep of a foreign lord
Profaned the soil no more.
I am busy working to bring William Cullen Bryant's "Seventy-Six" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about William Cullen Bryant's life and contributions to literature.
Check back soon to experience how "Seventy-Six" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.