The sea asleep like a dreamer sighs;
The salt rock-pools lie still in the sun,
Except for the sidling crab that creeps
Through the moveless mosses green and dun.
The small grey snail clings everywhere,
For the tide is out; and the sea-weed dries
Its tangled tresses in the warm air,
That seems to ooze from the far blue skies,
Where not a white gull on white wing flies.
The mollusc gleams like a gem amid
The scurf and the clustered green sea-grapes,
Whose trellis is but the rock's bare side,
Whose husbandman but the tide that drapes.
The little sandpiper tilts and picks
His food, on the wet sea-marges hid,
Till sudden a wave comes in and flicks
Him off, then flashes away to bid
Another frighten him—as it did.
O sweet is the world of living things,
And sweet are the mingled sea and shore!
It seems as if I never again
Shall find life ill—as oft before.
As if my days should come as the clouds
Come yonder—and vanish without wings;
As if all sorrow that ever shrouds
My soul and darkly about it clings
Had lost for ever its ravenings.
As if I knew with a deeper sense
That good alone is ultimate;
That never an evil wrought of God
Or man came truly out of hate.
That Better springs from the heart of Worse,
As calm from the heaving elements;
That all things born to the Universe
May suffer and perish utterly hence,
But never refute its Innocence.
I am busy working to bring Cale Young Rice's "Cosmism" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Cale Young Rice's life and contributions to literature.
Check back soon to experience how "Cosmism" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.