When in the prime and may day time dead lovers went a-walking,
How bright the grass in lads' eyes was, how easy poet's talking!
Here were green hills and daffodils, and copses to contain them:
Daisies for floors did front their doors agog for maids to chain them.
So when the ray of rising day did pierce the eastern heaven
Maids did arise to make the skies seem brighter far by seven.
Now here's a street where'bus routes meet, and'twixt the wheels and paving
Standeth a lout that doth hold out flowers not worth the having.
But see, but see! The clock marks three above the Kilburn Station,
Those maids, thank God! are' neath the sod and all their generation.
What she shall wear who'll soon appear, it is not hood nor wimple,
But by the powers there are no flowers so stately or so simple,
And paper shops and full 'bus tops confront the sun so brightly,
That, come three-ten, no lovers then had hearts that beat so lightly
As ours, or loved more truly,
Or found green shades or flowered glades to fit their loves more duly.
And see, and see! ' Trs ten past three above the Kilburn Station,
Those maids, thank God! are'neath the sod and all their generation.
I am busy working to bring Ford Madox Hueffer's "The Three-Ten" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Ford Madox Hueffer's life and contributions to literature.
Check back soon to experience how "The Three-Ten" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.