How pleasant to know Mr. Lear!
Who has written such volumes of stuff!
Some think him ill-tempered and queer,
But a few think him pleasant enough.
His mind is concrete and fastidious,
His nose is remarkably big;
His visage is more or less hideous,
His beard it resembles a wig.
He has ears, and two eyes, and ten fingers,
Leastways if you reckon two thumbs;
Long ago he was one of the singers,
But now he is one of the dumbs.
He sits in a beautiful parlour,
With hundreds of books on the wall;
He drinks a great deal of Marsala,
But never gets tipsy at all.
He has many friends, laymen and clerical;
Old Foss is the name of his cat;
His body is perfectly spherical,
He weareth a runcible hat.
When he walks in a waterproof white,
The children run after him so!
Calling out, 'He's come out in his night—
Gown, that crazy old Englishman, oh!'
He weeps by the side of the ocean,
He weeps on the top of the hill;
He purchases pancakes and lotion,
And chocolate shrimps from the mill.
He reads but he cannot speak Spanish,
He cannot abide ginger-beer:
Ere the days of his pilgrimage vanish,
How pleasant to know Mr. Lear!
I am busy working to bring Edward Lear's "Self-portrait of the Laureate of Nonsense" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Edward Lear's life and contributions to literature.
Check back soon to experience how "Self-portrait of the Laureate of Nonsense" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.