We have flowed out of ourselves
Beginning on the outside
That shrivable skin
Where you leave off
Of infinite elastic
Walking the ceiling
Our eyelashes polish stars
Curled close in the youngest corpuscle
Of a descendant
We spit up our passions in our grand-dams
Fixing the extension of your reactions
Our shadow lengthens
In your fear
You are so old
Born in our immortality
Stuck fast as Life
In one impalpable
Omniprevalent Dimension
We are turned inside out
Your cities lie digesting in our stomachs
Street lights footle in our ocular darkness
Having swallowed your irate hungers
Satisfied before bread-breaking
To your dissolution
We splinter into Wholes
Stirring the remorses of your tomorrow
Among the refuse of your unborn centuries
In our busy ashbins
Stink the melodies
Of your
So easily reducible
Adolescences
Our tissue is of that which escapes you
Birth-Breaths and orgasms
The shattering tremor of the static
The far-shore of an instant
The unsurpassable openness of the circle
Legerdemain of God
Only in the segregated angles of Lunatic Asylums
Do those who have strained to exceeding themselves
Break on our edgeless contours
The mouthed echoes of what
Has exuded to our companionship
Is horrible to the ear
Of the half that is left inside them.
I am busy working to bring Mina Loy's "The Dead" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Mina Loy's life and contributions to literature.
Check back soon to experience how "The Dead" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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