Madonnas are everlastingly mothers in ecstacy.
Their alcove arms
retire the Felicity of their conception
from eld and the disorderliness
of peril,
reproving harm.
Madonnas are æon-moments of motherhood
—a moment is Time surrounded by itself—
in perpetuation of the beatitude,
their attitude
of smiling havens,
of sacred shelves.
Omitted omen of Calvary!
Uncarved Crucifixion!
Madonnas are islands in memory
for earthly mothers, who having begotten,
in early security, heroes of the skies,
on forsaken knees
crave for a moment it be forgotten
that skies once ovational
with celestial oboes
for the Heavenly Celebrities
are skies in clamour
of deathly celerities,
the horror
of diving obituaries
under flowers of fire.
I am busy working to bring Mina Loy's "Aid of the Madonna" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Mina Loy's life and contributions to literature.
Check back soon to experience how "Aid of the Madonna" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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