Orynthia, my beloved!
I call in vain!
Orynthia! Orynthia!
Echo hears and calls again.
A mimic voice repeats the name around!
And with Orynthia all the rocks re-sound!
A Hermit who dwells in these solitudes, cross'd me,
As way worn and faint up the mountain I press'd,
The aged man paus'd on his staff to accost me,
And proffer'd his cell, as my mansion of rest.
Ah! nay, courteous Father, right onward I rove;
No rest but the grave for the Pilgrim of Love!
'Yet tarry, my son, till the burning noon passes,
Let boughs of the Lemon tree shelter thy head;
The juice of ripe Muscadel flows in my glasses,
And rushes, fresh pull'd, for Siesta are spread!'
Ah! nay, courteous Father, right onward I rove,
No rest but the grave for the Pilgrim of Love!
I am busy working to bring Amelia Alderson Opie's "The Pilgrim of Love" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the home page for other musical arrangements or learn more about Amelia Alderson Opie's life and contributions to literature.
Check back soon to experience how "The Pilgrim of Love" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
Want to join the discussion? Reopen or create a unique username to comment. No personal details required!
Comments
No comments yet. Be the first to comment!