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I heard a Fly buzz - when I died

Emily Dickinson

1830 to 1886

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I heard a Fly buzz - when I died -
The Stillness in the Room
Was like the Stillness in the Air -
Between the Heaves of Storm -

The Eyes around - had wrung them dry -
And Breaths were gathering firm
For that last Onset - when the King
Be witnessed - in the Room -

I willed my Keepsakes - Signed away
What portion of me be
Assignable - and then it was
There interposed a Fly -

With Blue - uncertain - stumbling Buzz -
Between the light - and me -
And then the Windows failed - and then
I could not see to see -

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Emily Dickinson's I heard a Fly buzz - when I died

Emily Dickinson's poem "I heard a Fly buzz - when I died" presents a haunting exploration of death, juxtaposing the mundane with the profound in a manner characteristic of her unique style. Through vivid imagery and unconventional punctuation, Dickinson crafts a narrative that challenges traditional perceptions of mortality and the transition between life and death.

The poem opens with a striking paradox: the speaker, already dead, recounts the moment of their passing. This immediate subversion of expectations sets the tone for the entire piece, forcing readers to confront the uncomfortable reality of death while simultaneously questioning the nature of consciousness beyond life. The buzzing fly, a seemingly insignificant detail, becomes the focal point of the dying moment, emphasizing the often anticlimactic nature of death and the persistence of the ordinary even in extraordinary circumstances.

Dickinson's use of dashes throughout the poem creates a sense of fragmentation and interruption, mirroring the disjointed thoughts of a fading consciousness. This technique also serves to slow the reader's pace, encouraging a more contemplative engagement with each line and image. The capitalization of certain words, such as "Stillness," "Storm," and "King," imbues them with added significance, elevating ordinary concepts to near-mythical status within the context of the poem.

The comparison of the room's stillness to the calm between storm "Heaves" in the second stanza creates a palpable tension, suggesting that death itself is a kind of storm - a violent transition preceded and followed by moments of eerie quiet. This imagery reinforces the idea of death as a natural process, powerful yet ultimately part of life's cyclical nature.

The presence of witnesses, with their dry eyes and gathered breath, adds a social dimension to the typically solitary act of dying. Their anticipation of witnessing "the King" introduces a religious element, possibly alluding to the Christian concept of meeting God at the moment of death. However, this expectation is subverted by the intrusion of the fly, replacing the divine with the mundane and perhaps suggesting the futility of human attempts to ascribe grand meaning to death.

The speaker's act of willing away their "Keepsakes" and signing away their "Assignable" portion speaks to the practical concerns that often accompany death, such as the distribution of property. This mundane detail, juxtaposed with the weightiness of impending death, creates a sense of irony and highlights the disconnect between the physical world being left behind and the unknown that awaits.

The fly's reappearance in the third stanza, described with "Blue - uncertain - stumbling Buzz," personifies the insect and imbues it with characteristics that might describe the speaker's own fading consciousness. The color blue could symbolize the encroaching darkness or the speaker's dimming perception. The uncertainty and stumbling nature of the buzz mirror the speaker's tenuous grasp on reality as death approaches.

The final stanza presents a powerful image of dissolution. The failure of the windows, traditionally symbols of the soul or perception, represents the speaker's loss of sensory input. The repetition of "see" in the last line - "I could not see to see" - emphasizes the totality of this loss, suggesting not just a physical blindness but a complete cessation of consciousness.

Throughout the poem, Dickinson masterfully balances the concrete and the abstract, the physical and the metaphysical. The fly, a tangible and somewhat grotesque presence, becomes a bridge between the world of the living and the unknown realm of death. Its persistence in the face of the speaker's passing underscores the continuity of life even as individual consciousness fades.

In conclusion, "I heard a Fly buzz - when I died" is a testament to Dickinson's ability to distill complex philosophical and emotional concepts into stark, vivid imagery. By focusing on the seemingly trivial detail of a buzzing fly at the moment of death, she challenges readers to reconsider their preconceptions about mortality, the afterlife, and the significance we attribute to our final moments. The poem's lasting power lies in its ability to make the experience of death both intimately personal and universally relatable, inviting readers to contemplate their own mortality through the lens of this unforgettable scene.