Ha! what is this that on my brow
Presses with such o'erwhelming power?
My love to heaven is gone, I know;
But 'tis to fix our bridal hour;….
Then on his tomb why should I sorrow?
He's gone, but he'll return tomorrow.
Ah! then yon lofty hill I'll mount,
And seize on morning's brightest cloud;
On that I'll wait my love, and count
The moments till he leaves his shroud:
And he the rainbow's vest shall borrow,
To grace our bridal day tomorrow.
But all's not right in this poor heart,
Yet why should I his loss deplore?
It was indeed a pang to part,
But when he comes, he'll rove no more:
And all today can laugh at sorrow,
When sure of being blest tomorrow.
Then why am I in black arrayed?
And why is Henry's father pale?
And why do I, poor frantic maid,
Tell to the winds a mournful tale?
Alas! the weight I feel is sorrow
No, no…. he cannot come tomorrow.
I am busy working to bring Amelia Alderson Opie's "A Mad-Song" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the home page for other musical arrangements or learn more about Amelia Alderson Opie's life and contributions to literature.
Check back soon to experience how "A Mad-Song" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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