How many thousands are wakening now!
Some to the songs from the forest bough,
To the rustling of leaves at the lattice pane,
To the chiming fall of the early rain.
And some, far out on the deep mid-sea,
To the dash of the waves in their foaming glee,
As they break into spray on the ship's tall side,
That holds through the tumult her path of pride.
And some—oh, well may their hearts rejoice!—
To the gentle sound of a mother's voice:
Long shall they yearn for that kindly tone,
When from the board and the hearth 'tis gone.
And some, in the camp, to the bugle's breath,
And the tramp of the steed on the echoing heath,
And the sudden roar of the hostile gun,
Which tells that a field must ere night be won.
And some, in the gloomy convict cell,
To the dull deep note of the warning bell,
As it heavily calls them forth to die,
When the bright sun mounts in the laughing sky.
And some to the peal of the hunter's horn,
And some to the din from the city borne,
And some to the rolling of torrent floods,
Far midst old mountains and solemn woods.
So are we roused on this checker'd earth:
Each unto light hath a daily birth;
Though fearful or joyous, though sad or sweet,
Are the voices which first our upspringing meet.
But one must the sound be, and one the call,
Which from the dust shall awaken us all:
One!— but to sever'd and distant dooms,
How shall the sleepers arise from the tombs?
I am busy working to bring Felicia Dorothea Hemans's "The Wakening" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the home page for other musical arrangements or learn more about Felicia Dorothea Hemans's life and contributions to literature.
Check back soon to experience how "The Wakening" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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