The chord, the harp's full chord is hush'd,
The voice hath died away,
Whence music, like sweet waters, gush'd
But yesterday.
Th' awakening note, the breeze-like swell.
The full o'ersweeping tone,
The sounds that sigh'd "Farewell, farewell!"
Are gone—all gone!
The love, whose fervent spirit pass'd
With the rich measure's flow;
The grief, to which it sank at last—
Where are they now?
They are with the scents by summer's breath
Borne from a rose now shed:
With the words from lips long seal'd in death—
For ever fled.
The sea-shell of its native deep
A moaning thrill retains;
But earth and air no record keep
Of parted strains.
And all the memories, all the dreams,
They woke in floating by;
The tender thoughts, th' Elysian gleams—
Could these too die?
They died! As on the water's breast
The ripple melts away,
When the breeze that stirr'd it sinks to rest—
So perish'd they!
Mysterious in their sudden birth,
And mournful in their close,
Passing, and finding not on earth
Aim or repose.
Whence were they?— like the breath of flowers
Why thus to come and go?
A long, long journey must be ours
Ere this we know!
I am busy working to bring Felicia Dorothea Hemans's "Music of Yesterday" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the home page for other musical arrangements or learn more about Felicia Dorothea Hemans's life and contributions to literature.
Check back soon to experience how "Music of Yesterday" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
Want to join the discussion? Reopen or create a unique username to comment. No personal details required!
Comments
No comments yet. Be the first to comment!