There is an earthly glimmer in the Tomb:
And, healed in their own tears and with long sleep,
My eyes unclose and feel no need to weep;
But, in the corner of the narrow room,
Behold Love’s spirit standeth, with the bloom
That things made deathless by Death’s self may keep.
O what a change! for now his looks are deep,
And a long patient smile he can assume:
While Memory, in some soft low monotone,
Is pouring like an oil into mine ear
The tale of a most short and hollow bliss,
That I once throbbed indeed to call my own,
Holding it hardly between joy and fear,—
And how that broke, and how it came to this.
Arthur O'Shaughnessy, a 19th-century English poet associated with the aesthetic movement, is best known for his emotionally rich and evocative lyricism. In “Love After Death,” the poet explores the transformative power of love and memory in the context of death and the afterlife. The poem conveys an intimate meditation on loss, remembrance, and the enduring presence of love beyond the grave. Utilizing vivid imagery, personification, and a reflective tone, O'Shaughnessy delves into the complex interplay of grief, transcendence, and the permanence of spiritual connection.
The poem is a Petrarchan sonnet, a form that traditionally expresses intense emotion or meditates on a significant idea. Comprising an octave (the first eight lines) and a sestet (the final six lines), the sonnet adheres to a formal rhyme scheme (ABBAABBA CDCDCD) that underscores its contemplative rhythm. This division mirrors the thematic progression from a scene of awakening and recognition in the octave to introspection and reflection in the sestet.
The opening lines establish a liminal space—a tomb—that paradoxically glimmers with "earthly" light. The juxtaposition of death and earthly vitality suggests a transcendence of physical limitations. The speaker awakens within this tomb, his tears “healed” by sleep and time. This imagery of emotional restoration hints at a redemptive quality in the afterlife.
“Behold Love’s spirit standeth, with the bloom / That things made deathless by Death’s self may keep.”
Love is personified as an eternal presence within the tomb, embodying a bloom that defies decay. The poet draws on Romantic ideals of love as an immutable, almost divine force. The paradox of "deathless by Death's self" reinforces the notion that death, rather than obliterating love, grants it a kind of permanence.
“O what a change! for now his looks are deep, / And a long patient smile he can assume:”
The speaker notes a transformation in Love’s appearance. Depth and patience characterize this "new" love, contrasting with the fleeting, tumultuous emotions associated with earthly affection. The “long patient smile” conveys serenity, suggesting that the love encountered after death is both enduring and evolved.
The sestet shifts from the vision of Love to the role of Memory. Memory is personified as a soft voice, whispering a tale of past joys and sorrows. The intimacy of this act—Memory “pouring like an oil into mine ear”—evokes the physical closeness and soothing quality of reminiscence.
“The tale of a most short and hollow bliss, / That I once throbbed indeed to call my own,”
The speaker reflects on a fleeting, imperfect happiness that was once cherished. The adjective "hollow" suggests an emptiness or insufficiency, hinting at the fragility of mortal joys. The verb "throbbed" implies the intensity and volatility of these experiences, underscoring their ephemeral nature.
“And how that broke, and how it came to this”
The final line captures a poignant resolution. The brokenness of earthly love and happiness leads inexorably to this moment of transcendence in the afterlife. It implies acceptance, as though the speaker recognizes that the imperfections of life are necessary precursors to the fullness of love’s spiritual permanence.
Love’s Immortality
The poem explores the idea that love transcends death, gaining depth and serenity in its immortal state. This aligns with Romantic and Victorian notions of the sublime and eternal qualities of true love.
Memory and Loss
Memory plays a crucial role in the speaker's reflection, serving as both a balm and a reminder of life’s transience. The duality of remembrance—both painful and consoling—is central to the poem's emotional impact.
Death as Transformation
Rather than an end, death is depicted as a process of transformation, granting permanence and depth to experiences and emotions that were fleeting in life.
“Love After Death” is a deeply introspective sonnet that uses the framework of the afterlife to meditate on the enduring power of love and memory. Through its vivid imagery and poignant personifications, the poem captures the paradox of death as both an ending and a beginning. O'Shaughnessy masterfully contrasts the fragility of mortal happiness with the sublime, timeless quality of love that death amplifies rather than diminishes. In doing so, he presents a vision of the afterlife as a space of healing, reflection, and profound emotional continuity.