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The sea! the sea! the open sea!
The blue, the fresh, the ever free!
Without a mark, without a bound,
It runneth the earth's wide regions round;
It plays with the clouds; it mocks the skies,
Or like a cradled creature lies.
I'm on the sea! I'm on the sea!
I am where I would ever be;
With the blue above and the blue below,
And silence wheresoe'er I go.
If a storm should come and awake the deep
What matter? I shall ride and sleep.
I love, oh, how I love to ride
On the fierce, foaming, bursting tide,
When every mad wave drowns the moon,
Or whistles aloud his tempest tune,
And tells how goeth the world below,
And why the southwest blasts do blow.
I never was on the dull, tame shore,
But I loved the great sea more and more,
And back I flew to her billowy breast,
Like a bird that seeketh its mother's nest;
And a mother she was, and is, to me,
For I was born on the open sea!
I've lived, since then, in calm and strife,
Full fifty summers a sailor's life,
With wealth to spend and a power to range,
But never have sought nor sighed for change;
And Death, whenever he comes to me,
Shall come on the wild, unbounded sea.
The sea has long been a source of inspiration for poets, symbolizing freedom, mystery, and the sublime. Barry Cornwall’s "Song of the Sea" is a quintessential example of Romantic poetry, embodying the era’s fascination with nature, individualism, and emotional intensity. Written in the early 19th century, the poem reflects the Romantic movement’s preoccupation with the natural world as a mirror for human emotion and experience. Cornwall’s work is both a personal ode to the sea and a universal meditation on the human connection to nature. Through its lyrical language, vivid imagery, and emotional depth, the poem invites readers to share in the speaker’s profound love for the sea and to contemplate their own relationship with the natural world.
Barry Cornwall was a contemporary of Romantic poets such as William Wordsworth, Samuel Taylor Coleridge, and Lord Byron. The Romantic era (late 18th to mid-19th century) was characterized by a rejection of industrialization and urbanization, and a turn toward nature, emotion, and the sublime. The sea, as a vast and untamable force, became a powerful symbol within this context, representing both the beauty and terror of the natural world.
Cornwall’s poem also reflects the maritime culture of 19th-century Britain, a nation whose identity and power were deeply tied to the sea. The British Empire’s naval dominance and the romanticized image of the sailor as a free-spirited adventurer are implicit in the poem. The speaker’s declaration, “I was born on the open sea!” suggests a deep, almost mystical connection to the maritime world, echoing the cultural significance of the sea in British literature and history.
The poem is composed of six quatrains, each with an ABAB rhyme scheme. This regular structure mirrors the rhythmic ebb and flow of the sea, creating a sense of harmony and continuity. The meter is predominantly iambic tetrameter, with four stressed syllables per line, contributing to the poem’s musicality and reinforcing its song-like quality. The consistent rhythm and rhyme scheme evoke the timeless and unchanging nature of the sea, while the occasional variations in meter reflect its dynamic and unpredictable character.
The Sublime Power of Nature: The poem celebrates the sea as a sublime force, both beautiful and terrifying. The speaker revels in the sea’s vastness and freedom, describing it as “the blue, the fresh, the ever free!” This portrayal aligns with the Romantic ideal of nature as a source of awe and inspiration. The sea’s dual nature—its ability to “play with the clouds” and “mock the skies” while also awakening storms—captures the sublime’s combination of beauty and danger.
Freedom and Boundlessness: The sea is depicted as a symbol of freedom, “without a mark, without a bound.” This imagery reflects the speaker’s desire for liberation from the constraints of land and society. The sea’s boundless expanse represents an escape from the mundane and a return to a more primal, authentic existence.
The Sea as a Maternal Figure: The speaker personifies the sea as a nurturing mother, describing it as “a mother she was, and is, to me.” This metaphor underscores the speaker’s deep emotional connection to the sea, suggesting that it provides not only physical sustenance but also emotional and spiritual comfort. The image of the speaker returning to the sea “like a bird that seeketh its mother’s nest” reinforces this theme of maternal care and belonging.
Life and Death: The poem juxtaposes the vitality of life on the sea with the inevitability of death. The speaker declares, “And Death, whenever he comes to me, / Shall come on the wild, unbounded sea.” This acceptance of death as part of the natural cycle reflects the Romantic ideal of living in harmony with nature. The sea, as both the source of life and the site of death, becomes a symbol of the eternal and cyclical nature of existence.
Imagery: Cornwall’s use of vivid imagery brings the sea to life, appealing to the reader’s senses. Phrases like “the fierce, foaming, bursting tide” and “every mad wave drowns the moon” create a dynamic and immersive picture of the sea’s power and beauty. The contrast between the sea’s calm and stormy states reflects its dual nature and enhances the poem’s emotional impact.
Personification: The sea is personified throughout the poem, imbuing it with human qualities. It “plays with the clouds,” “mocks the skies,” and “tells how goeth the world below.” This personification reinforces the speaker’s intimate relationship with the sea, portraying it as a living, sentient being.
Repetition: The repetition of phrases such as “the sea! the sea!” and “I’m on the sea! I’m on the sea!” emphasizes the speaker’s enthusiasm and reverence for the sea. This rhetorical device creates a sense of rhythm and reinforces the poem’s central theme.
Symbolism: The sea serves as a multifaceted symbol, representing freedom, motherhood, and the sublime. Its boundless and ever-changing nature mirrors the complexities of human emotion and experience.
Alliteration and Assonance: The poem is rich in sound devices, such as alliteration (“fierce, foaming, bursting”) and assonance (“blue, the fresh, the ever free”). These techniques enhance the poem’s musicality and contribute to its lyrical quality.
The poem’s emotional resonance lies in its ability to evoke a sense of wonder and connection to the natural world. The speaker’s passionate declaration of love for the sea—“I love, oh, how I love to ride / On the fierce, foaming, bursting tide”—invites readers to share in this exhilaration. At the same time, the poem’s acknowledgment of the sea’s dangers—“If a storm should come and awake the deep / What matter? I shall ride and sleep”—conveys a sense of acceptance and courage. This emotional complexity reflects the Romantic ideal of embracing both the joys and challenges of life.
Barry Cornwall’s "Song of the Sea" is a masterful expression of the Romantic spirit, capturing the sea’s beauty, power, and emotional significance. Through its vivid imagery, lyrical language, and profound themes, the poem invites readers to contemplate their own relationship with nature and to find solace and inspiration in its boundless expanse. As a celebration of freedom, motherhood, and the sublime, the poem resonates across time and culture, reminding us of the enduring power of poetry to connect us to the world and to ourselves.
In its exploration of the sea as both a physical and metaphysical force, "Song of the Sea" exemplifies the Romantic ideal of finding meaning and transcendence in nature. Cornwall’s work stands as a testament to the sea’s timeless allure and its ability to evoke a sense of wonder, freedom, and belonging in all who encounter it.