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Defeat

Kahlil Gibran

1883 to 1931

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Track 1

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Defeat, my Defeat, my solitude and my aloofness;
You are dearer to me than a thousand triumphs,
And sweeter to my heart than all world-glory.

Defeat, my Defeat, my self-knowledge and my defiance,
Through you I know that I am yet young and swift of foot
And not to be trapped by withering laurels.
And in you I have found aloneness
And the joy of being shunned and scorned.

Defeat, my Defeat, my shining sword and shield,
In your eyes I have read
That to be enthroned is to be enslaved,
And to be understood is to be leveled down,
And to be grasped is but to reach one’s fullness
And like a ripe fruit to fall and be consumed.

Defeat, my Defeat, my bold companion,
You shall hear my songs and my cries and my silences,
And none but you shall speak to me of the beating of wings,
And urging of seas,
And of mountains that burn in the night,
And you alone shall climb my steep and rocky soul.

Defeat, my Defeat, my deathless courage,
You and I shall laugh together with the storm,
And together we shall dig graves for all that die in us,
And we shall stand in the sun with a will,
And we shall be dangerous.

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Kahlil Gibran's Defeat

Kahlil Gibran's poem "Defeat" presents a paradoxical and deeply introspective exploration of personal growth through adversity. The poem, structured in five stanzas, employs apostrophe as its primary literary device, with the speaker directly addressing "Defeat" as a personified entity. This rhetorical strategy imbues the concept of defeat with a tangible presence, transforming it from an abstract notion into a companion and teacher.

The opening stanza immediately subverts conventional expectations by portraying defeat not as a source of shame or disappointment, but as something "dearer" and "sweeter" than success. Gibran's speaker values defeat above "a thousand triumphs" and "all world-glory," suggesting a profound shift in perspective that prioritizes internal growth over external validation. The juxtaposition of "solitude" and "aloofness" with the intimate address to defeat creates a tension between isolation and companionship, hinting at the complex relationship between the individual and their struggles.

In the second stanza, the speaker credits defeat with fostering self-knowledge and defiance. The imagery of being "young and swift of foot" contrasts with the metaphor of "withering laurels," implying that defeat keeps one vigorous and authentic, while success might lead to complacency or stagnation. The phrase "joy of being shunned and scorned" further emphasizes the speaker's embrace of a countercultural perspective, finding value in societal rejection.

The third stanza delves deeper into the philosophical implications of defeat. By describing it as a "shining sword and shield," Gibran imbues defeat with both offensive and defensive qualities, suggesting its role as both a weapon for growth and a protection against complacency. The subsequent lines present a series of paradoxes that challenge conventional notions of success: equating enthronement with enslavement, understanding with being "leveled down," and being grasped with reaching "one's fullness." These inversions suggest that what society often views as achievements can actually be limitations, while defeat offers a form of freedom and completeness.

The fourth stanza shifts tone, presenting defeat as a confidant and muse. The speaker promises defeat will hear their "songs," "cries," and "silences," encompassing the full range of human expression. The vivid natural imagery of "beating of wings," "urging of seas," and "mountains that burn in the night" evokes a sense of primal, elemental force, aligning defeat with the powerful and often turbulent processes of nature. The stanza concludes with the intimate image of defeat climbing the speaker's "steep and rocky soul," suggesting that adversity is uniquely capable of reaching the deepest, most challenging aspects of one's inner self.

The final stanza culminates in a powerful declaration of resilience and transformation. The speaker and defeat are now portrayed as allies, laughing together "with the storm" - an image that suggests not just enduring hardship, but finding joy and strength within it. The act of digging graves "for all that die in us" implies a process of letting go of weakness or outmoded aspects of the self. The poem concludes with the striking assertion that through this embrace of defeat, the speaker will "be dangerous." This final line can be interpreted as a statement of empowerment, suggesting that by fully accepting and learning from defeat, one becomes a force to be reckoned with.

Throughout the poem, Gibran employs a consistent AABB rhyme scheme, which provides a sense of structure and musicality to the piece. This formal element contrasts with the unconventional ideas presented, perhaps reflecting the way the speaker finds order and beauty within the chaotic experience of defeat.

In conclusion, "Defeat" presents a radical reframing of failure and adversity. By personifying and embracing defeat, Gibran's speaker transforms it from a negative outcome into a catalyst for growth, self-knowledge, and ultimate empowerment. The poem challenges readers to reconsider their relationship with failure and suggests that true strength and wisdom come not from avoiding defeat, but from fully engaging with and learning from it. This perspective offers a powerful message of resilience and self-discovery, particularly relevant in a world that often equates success with external achievements.