“Thin Rain, whom are you haunting,
That you haunt my door?”
—Surely it is not I she’s wanting;
Someone living here before—
“Nobody’s in the house but me:
You may come in if you like and see.”
Thin as thread, with exquisite fingers,—
Have you seen her, any of you?—
Grey shawl, and leaning on the wind,
And the garden showing through?
Glimmering eyes,—and silent, mostly,
Sort of a whisper, sort of a purr,
Asking something, asking it over,
If you get a sound from her.—
Ever see her, any of you?—
Strangest thing I’ve ever known,—
Every night since I moved in,
And I came to be alone.
“Thin Rain, hush with your knocking!
You may not come in!
This is I that you hear rocking;
Nobody’s with me, nor has been!”
Curious, how she tried the window,—
Odd, the way she tries the door,—
Wonder just what sort of people
Could have had this house before..
I am busy working to bring Edna St. Vincent Millay's "Wraith" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Edna St. Vincent Millay's life and contributions to literature.
Check back soon to experience how "Wraith" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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