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Ozymandias

Percy Bysshe Shelly

1792 to 1822

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I met a traveller from an antique land,
Who said - "Two vast and trunkless legs of stone
Stand in the desert... Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."

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Percy Bysshe Shelly's Ozymandias

Percy Bysshe Shelley's sonnet "Ozymandias" is a masterful exploration of the transient nature of power and the inevitable decay of even the mightiest empires. Through vivid imagery and skillful use of poetic devices, Shelley crafts a meditation on the hubris of rulers and the relentless march of time that ultimately renders all human achievements insignificant.

The poem begins with a frame narrative, introducing an unnamed traveler who recounts his encounter with the ruins of a once-great monument in a distant land. This framing device serves to distance the reader from the central image, creating a sense of remoteness that amplifies the theme of time's passage. The use of the phrase "antique land" immediately establishes a temporal divide between the present and the ancient civilization being described, setting the stage for the poem's reflection on the ephemeral nature of power.

Shelley's description of the ruined statue is particularly striking, employing synecdoche to powerful effect. The "two vast and trunkless legs of stone" and the "shattered visage" create a fragmented image that mirrors the disintegration of the empire they once represented. The juxtaposition of the statue's immense size ("vast," "colossal") with its current state of ruin underscores the magnitude of its fall, emphasizing the poem's central theme of the impermanence of worldly power.

The poet's attention to the facial features of the broken statue is particularly revealing. The "frown," "wrinkled lip," and "sneer of cold command" not only bring the long-dead ruler to life but also provide insight into his character. These descriptions suggest a harsh, imperious leader, one whose domineering nature has been preserved in stone long after his reign has ended. Shelley's use of the verb "survive" in relation to these expressions is deeply ironic, as the survival is merely that of a lifeless effigy, devoid of the actual power it once represented.

The inscription on the pedestal, "My name is Ozymandias, King of Kings; / Look on my Works, ye Mighty, and despair!" serves as the poem's dramatic climax. This declaration of supremacy, meant to intimidate and awe, becomes a bitter joke in the context of the statue's ruined state. The imperative "Look on my Works" is particularly poignant, as the reader is acutely aware that no works remain to be seen. The use of capitalization in "Works" and "Mighty" emphasizes the grandiosity of Ozymandias' claim, making its futility all the more apparent.

Shelley's genius is evident in the stark contrast between the inscription's bombastic tone and the simple, devastating statement that follows: "Nothing beside remains." This abrupt shift creates a moment of bathos that drives home the poem's central message about the transience of earthly power. The alliteration in "boundless and bare" and the repetition of the "l" sound in "lone and level" in the final lines create a sense of emptiness and desolation, reinforcing the image of the vast, indifferent desert that has reclaimed the territory once ruled by Ozymandias.

The poem's structure, a sonnet with a somewhat unconventional rhyme scheme (ABABACDC EDEFEF), subtly reinforces its themes. The volta, or turn, typically found in sonnets is less pronounced here, suggesting a continuity between the past glory of Ozymandias and the present state of his legacy - both are ultimately subsumed by the passage of time.

On a deeper level, "Ozymandias" can be read as a commentary on the nature of art and its relationship to power. While the works of Ozymandias have crumbled, the art of the sculptor who captured his essence endures, albeit in ruins. This suggests a certain immortality achieved through artistic creation, which outlasts the subject it depicts. Ironically, it is through Shelley's poem that Ozymandias achieves a form of the eternal remembrance he sought, though not in the manner he would have wished.

In conclusion, "Ozymandias" stands as a powerful reminder of the impermanence of human achievements and the folly of excessive pride. Through its vivid imagery, ironic tone, and masterful use of poetic techniques, the poem invites readers to reflect on the true nature of power and legacy. Shelley's work continues to resonate with audiences today, serving as a timeless warning against hubris and a poignant meditation on the inevitable passage of time.