A quiet notice V2Melody closes at midnight on , Spanish time.

A note from Richard

V2Melody will close at midnight on 31 December 2026

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

Until midnight on 31 December 2026, Spanish time, everything remains available exactly as it is. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.052 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Pomegranate

by D. H. Lawrence

0.2350 − 0.0586i

Drawing the boundary…

The Voice

by Thomas Hardy

0.1953 − 0.0243i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Pomegranate

by D. H. Lawrence

You tell me I am wrong.
Who are you, who is anybody to tell me I am wrong?
I am not wrong.

In Syracuse, rock left bare by the viciousness of Greek women,
No doubt you have forgotten the pomegranate-trees in flower,
Oh so red, and such a lot of them.

Whereas at Venice,
Abhorrent, green, slippery city
Whose Doges were old, and had ancient eyes,
In the dense foliage of the inner garden
Pomegranates like bright green stone,
And barbed, barbed with a crown.
Oh, crown of spiked green metal
Actually growing!

Now in Tuscany,
Pomegranates to warm your hands at;
And crowns, kingly, generous, tilting crowns
Over the left eyebrow.

And, if you dare, the fissure!

Do you mean to tell me you will see no fissure?
Do you prefer to look on the plain side?

For all that, the setting suns are open.
The end cracks open with the beginning:
Rosy, tender, glittering within the fissure.

Do you mean to tell me there should be no fissure?
No glittering, compact drops of dawn?
Do you mean it is wrong, the gold-filmed skin, integument, shown ruptured?

For my part, I prefer my heart to be broken.
It is so lovely, dawn-kaleidoscopic within the crack.

The Voice

by Thomas Hardy

Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.

Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where you would wait for me: yes, as I knew you then,
Even to the original air-blue gown!

Or is it only the breeze, in its listlessness
Travelling across the wet mead to me here,
You being ever dissolved to wan wistlessness,
Heard no more again far or near?

Thus I; faltering forward,
Leaves around me falling,
Wind oozing thin through the thorn from norward,
And the woman calling.

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