Poem fractal

Side by side

Random

0.033 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Death Rooms

by John Masefield

−0.6456 − 0.0300i

Drawing the boundary…

My World Is Pyramid

by Dylan Thomas

−0.6172 − 0.0137i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Death Rooms

by John Masefield

My soul has many an old decaying room
Hung with the ragged arras of the past,
Where startled faces flicker in the gloom,
And horrid whispers set the cheek aghast.

Those dropping rooms are haunted by a death,
A something like a worm gnawing a brain,
That bids me heed what bitter lesson saith
The blind wind beating on the window-pane.

None dwells in those old rooms: none ever can:
I pass them through at night with hidden head;
Lock’d rotting rooms her eyes must never scan,
Floors that her blessed feet must never tread.

Haunted old rooms: rooms she must never know,
Where death-ticks knock and mouldering panels glow.

My World Is Pyramid

by Dylan Thomas

Half of the fellow father as he doubles
His sea-sucked Adam in the hollow hulk,
Half of the fellow mother as she dabbles
To-morrow’s diver in her horny milk,
Bisected shadows on the thunder’s bone
Bolt for the salt unborn.

The fellow half was frozen as it bubbled
Corrosive spring out of the iceberg’s crop,
The fellow seed and shadow as it babbled
The swing of milk was tufted in the pap,
For half of love was planted in the lost,
And the unplanted ghost.

The broken halves are fellowed in a cripple,
The crutch that marrow taps upon their sleep,
Limp in the street of sea, among the rabble
Of tide-tongued heads and bladders in the deep,
And stake the sleepers in the savage grave
That the vampire laugh.

The patchwork halves were cloven as they scudded
The wild pigs’ wood, and slime upon the trees,
Sucking the dark, kissed on the cyanide,
And loosed the braiding adders from their hairs;
Rotating halves are horning as they drill
The arterial angel.

What colour is glory? death’s feather? tremble
The halves that pierce the pin’s point in the air,
And prick the thumb-stained heaven through the thimble.
The ghost is dumb that stammered in the straw,
The ghost that hatched his havoc as he flew
Blinds their cloud-tracking eye.

My world is pyramid. The padded mummer
Weeps on the desert ochre and the salt
Incising summer.
My Egypt’s armour buckling in its sheet,
I scrape through resin to a starry bone
And a blood parhelion.

My world is cypress, and an English valley.
I piece my flesh that rattled on the yards
Red in an Austrian volley.
I hear, through dead men’s drums, the riddled lads,
Strewing their bowels from a hill of bones,
Cry Eloi to the guns.

My grave is watered by the crossing Jordan.
The Arctic scut, and basin of the South,
Drip on my dead house garden.
Who seek me landward, marking in my mouth
The straws of Asia, lose me as I turn
Through the Atlantic corn.

The fellow halves that, cloven as they swivel
On casting tides, are tangled in the shells,
Bearding the unborn devil,
Bleed from my burning fork and smell my heels.
The tongues of heaven gossip as I glide
Binding my angel’s hood.

Who blows death’s feather? What glory is colour?
I blow the stammel feather in the vein.
The loin is glory in a working pallor.
My clay unsuckled and my salt unborn,
The secret child, I shift about the sea 
Dry in the half-tracked thigh.

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