A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.061 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Arms and the Boy

by Wilfred Owen

−0.8101 + 0.0693i

Drawing the boundary…

Chicken Blood

by Hervey Allen

−0.8697 + 0.0801i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Arms and the Boy

by Wilfred Owen

Let the boy try along this bayonet-blade
How cold steel is, and keen with hunger of blood;
Blue with all malice, like a madman's flash;
And thinly drawn with famishing for flesh.

Lend him to stroke these blind, blunt bullet-heads
Which long to muzzle in the hearts of lads.
Or give him cartridges of fine zinc teeth,
Sharp with the sharpness of grief and death.

For his teeth seem for laughing round an apple.
There lurk no claws behind his fingers supple;
And God will grow no talons at his heels,
Nor antlers through the thickness of his curls.

Chicken Blood

by Hervey Allen

The old black crone beside the fire
Will be awake this Friday night,
Honing an axe—honing, honing—
And a West Indian melody intoning.
For Saturday will bring at early light
The wagons with the chickens from the farm,
And she will taste the last of all delight—
Killing, killing chickens in the court,
The old, dark granny's only sport—
The axe and twitching bodies, and the blood
Upon her hands, splashes on her face like mud
From thick volcanic springs still warm.

To-night she takes the clay pipe from her hair—
Honing, honing—
And lights it by the faggot's orange glare,
Sucking the rank tobacco and the midnight air—
This old West Indian crone—
Drooling, droning, feeling the axe along,
Crooning, moaning an old, old song.

Ah, sweet, to take another being's breath!
So near the grave,
To prove herself alive by dealing death.
To hear the sudden chop, chop, chop,
To see the headless bodies flap and flop—
The piteous chuckling and the chortling
Of her victims and the thrill
Of the axe, and the flash,
And the flap, flap,—plop—
And the rows of feathered bodies lying still!

"Ah-eee," she sings and she sighs,
Listening to the mating of the cats, and the cries
Of the owls and the ring
Of the axe that she fingers
With the touch of the harpist, when he lingers
On the last high note—
That is rising in her throat—
She could sing to the axe, she could sing!

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