Poem fractal

Side by side

Random

0.022 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Sorrowful Music

by Bayard Taylor

−0.4782 − 0.4347i

Drawing the boundary…

The Old Australian Ways

by Banjo Paterson

−0.4895 − 0.4156i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Sorrowful Music

by Bayard Taylor

Give me music, or I die;
Music, wherein Sorrow's cry
Is a sweet, aerial sigh, —
Where Despair is harmony.

Give me music, such as winds
To the ambushed grief, and finds
Clews of soft-enticing sound,
Notes that soothe and cannot wound,
Leading with a tender care
Outward into brighter air:
Music which, with welcome pain,
Melted from the master's brain,
When his sorrow, freed from smart,
Laid its head upon his heart,
And the measure, broken, slow,—
Shed with tears in mingled flow, —
All its mighty secret spake
And it slept: it will not wake.

Give me music, sad and strong,
Drawn from deeper founts than Song;
More impassioned, full, and free
Than the Poet's numbers be:
Music which can master thee,
Stern enchantress, Memory!
Piercing through the gloomy stress
Of thy gathered bitterness,
As the summer lightnings play
Through a cloud's edge far away.

Give me music, I am dumb;
Choked with tears that never come.
Give me music; sigh or word
Such a sorrow never stirred, —
Sorrow that with blinding pain
Lies like fire on heart and brain.
Earth and Heaven bring no relief;
I am dumb; this weight of grief
Locks my lips; I cannot cry:
Give me music, or I die.

The Old Australian Ways

by Banjo Paterson

The London lights are far abeam
Behind a bank of cloud,
Along the shore the gaslights gleam,
The gale is piping loud;
And down the Channel, groping blind,
We drive her through the haze
Towards the land we left behind —
The good old land of 'never mind',
And old Australian ways.

The narrow ways of English folk
Are not for such as we;
They bear the long-accustomed yoke
Of staid conservancy:
But all our roads are new and strange
And through our blood there runs
The vagabonding love of change
That drove us westward of the range
And westward of the suns.

The city folk go to and fro
Behind a prison's bars,
They never feel the breezes blow
And never see the stars;
They never hear in blossomed trees
The music low and sweet
Of wild birds making melodies,
Nor catch the little laughing breeze
That whispers in the wheat.

Our fathers came of roving stock
That could not fixed abide:
And we have followed field and flock
Since e'er we learnt to ride;
By miner's camp and shearing shed,
In land of heat and drought,
We followed where our fortunes led,
With fortune always on ahead
And always further out.

The wind is in the barley grass,
The wattles are in bloom;
The breezes greet us as they pass
With honey-sweet perfume;
The parakeets go screaming by
With flash of golden wing,
And from the swamp the wild ducks cry
Their long-drawn note of revelry,
Rejoicing at the spring.

So throw the weary pen aside
And let the papers rest,
For we must saddle up and ride
Towards the blue hill's breast;
And we must travel far and fast
Across their rugged maze,
To find the Spring of Youth at last,
And call back from the buried past
The old Australian ways.

When Clancy took the drover's track
In years of long ago,
He drifted to the outer back
Beyond the Overflow;
By rolling plain and rocky shelf,
With stockwhip in his hand,
He reached at last, oh lucky elf,
The Town of Come-and-Help-Yourself
In Rough-and-Ready Land.

And if it be that you would know
The tracks he used to ride,
Then you must saddle up and go
Beyond the Queensland side —
Beyond the reach of rule or law,
To ride the long day through,
In Nature's homestead — filled with awe,
You then might see what Clancy saw
And know what Clancy knew.

—
—
0:00
0:00
Track 1
Skip to main content