The Humming-Bird
A route of evanescence
With a revolving wheel;
A resonance of emerald,
A rush of cochineal;
And every blossom on the bush
Adjusts its tumbled head, —
The mail from Tunis, probably,
An easy morning's ride.
Poem fractal
0.009 apart. A smaller distance means the lines are built more alike.
This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.
0.1946 − 0.8184i
Drawing the boundary…
0.1862 − 0.8153i
Drawing the boundary…
Each poem scrolls on its own, so the two texts stay beside each other.
A route of evanescence
With a revolving wheel;
A resonance of emerald,
A rush of cochineal;
And every blossom on the bush
Adjusts its tumbled head, —
The mail from Tunis, probably,
An easy morning's ride.
My days have been so wondrous free
The little birds that fly
With careless ease from tree to tree,
Were but as bless'd as I.
Ask gliding waters, if a tear
Of mine increas'd their stream?
Or ask the flying gales, if e'er
I lent one sigh to them?
But now my former days retire,
And I'm by beauty caught,
The tender chains of sweet desire
Are fix'd upon my thought.
Ye nightingales, ye twisting pines!
Ye swains that haunt the grove!
Ye gentle echoes, breezy winds!
Ye close retreats of love!
With all of nature, all of art,
Assist the dear design;
O teach a young, unpractis'd heart,
To make my Nancy mine!
The very thought of change I hate,
As much as of despair;
Nor ever covet to be great,
Unless it be for her.
'Tis true, the passion in my mind
Is mix'd with soft distress;
Yet while the fair I love is kind,
I cannot wish it less.
A fractal is a shape that keeps its pattern when you look closer. Coastlines, trees, shells, and weather do this. The large form and the small form are the same kind of thing. A poem can be drawn that way. The shape of the whole comes from the shape of the lines.
Primunia is the name for the source of that order: the pattern under the pattern, already there in a tree, a shell, and a verse.
The number under the picture is the poem constant. It is read from the build of the lines: their length, how uneven they are, the size of the stanzas, the share of vowels, and the way the lines end. A new word moves the number when it changes that build. The same poem always gives the same number.
Drawn on its own, that number sits in a quiet part of the plane, and most poems would look like the same soft disk. So the number is carried outward along its own direction until it meets the edge of the Mandelbrot set, where the shape turns sharp. The picture is the Julia set of that meeting place.
Each point on the canvas is folded again and again by one small rule. Points that stay near the rule form the dark interior. Points that rush away become the coloured bands. The hue comes from the poem constant, and the brightest bands turn toward gold. Change the length of a line, the stanza, or the vowel share, and both the number and the picture move.
Branching draws the poem as a tree. Each turn follows a line, and every smaller branch repeats that pattern. A longer line reaches farther. The letters at the start of a line bend the next turn. A higher share of vowels opens the branches wider.
The trunk takes its colour from the poem constant and warms toward gold at the tips. When the poem has more than one stanza, gold forks leave the trunk. Each fork is a stanza beyond the first, up to three. The tree divides where the poem divides. One stanza remains a single trunk.
Install V2Melody
Add a home-screen icon for quicker listening in a simple app window.