A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.039 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Features of Creatures

by John Crowe Ransom

−0.1992 + 0.4122i

Drawing the boundary…

Pavlovna in London

by James Elroy Flecker

−0.1859 + 0.3756i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Features of Creatures

by John Crowe Ransom

"Fool, Fool," was Abbott's word; he turned that name
Outward upon a world of pretty creatures
With rooks' pleasant voices and rats' sweet features,
Born of their mothers noble yet sunk in shame,
Mouthing and nosing, flapping and creeping to fame,—
Inward upon himself if in their faithless ways
He'd sniffed at gold, love, glory in other days
Or anywise had forgot to honor his Dame.

But Fool had the world said too, because he dwelt
Lone in his tower, long after the occasion
Of minatory Authority's invasion;
The King had gone and Paul restored his right
Yet he clung to his cold and poverty and night
And leaned in the rain; the rain came down unfelt.

Pavlovna in London

by James Elroy Flecker

I listened to the hunger-hearted clown,
Sadder than he: I heard a woman sing,—
A tall dark woman in a scarlet gown—
And saw those golden toys the jugglers fling.
I found a tawdry room and there sat I,
There angled for each murmur soft and strange,
The pavement-cries from darkness and below:
I watched the drinkers laugh, the lovers sigh,
And thought how little all the world would change
If clowns were audience, and we the Show.

What starry music are they playing now?
What dancing in this dreary theatre?
Who is she with the moon upon her brow,
And who the fire-foot god that follows her?—
Follows among those unbelieved-in trees
Back-shadowing in their parody of light
Across the little cardboard balustrade;
And we, like that poor Faun who pipes and flees,
Adore their beauty, hate it for too bright,
And tremble, half in rapture, half afraid.

Play on, O furtive and heartbroken Faun!
What is your thin dull pipe for such as they?
I know you blinded by the least white dawn,
And dare you face their quick and quivering Day?
Dare you, like us, weak but undaunted men,
Reliant on some deathless spark in you
Turn your dull eyes to what the gods desire,
Touch the light finger of your goddess; then
After a second's flash of gold and blue,
Drunken with that divinity, expire?

O dance, Diana, dance, Endymion,
Till calm ancestral shadows lay their hands
Gently across mine eyes: in days long gone
Have I not danced with gods in garden lands?
I too a wild unsighted atom borne
Deep in the heart of some heroic boy
Span in the dance ten thousand years ago,
And while his young eyes glittered in the morn
Something of me felt something of his joy,
And longed to rule a body, and to know.

Singer long dead and sweeter-lipped than I,
In whose proud line the soul-dark phrases burn,
Would you could praise their passionate symmetry,
Who loved the colder shapes, the Attic urn.
But your far song, my faint one, what are they,
And what their dance and faery thoughts and ours
Or night abloom with splendid stars and pale?
'Tis an old story that sweet flowers decay,
And dreams, the noblest, die as soon as flowers,
And dancers, all the world of them, must fail.

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