A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

I want a simpler life, without the hassle of being online. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the life I want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.032 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Milk for the Cat

by Harold Monro

−0.5072 − 0.2555i

Drawing the boundary…

Charon's Song

by Charles Murray

−0.4968 − 0.2253i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Milk for the Cat

by Harold Monro

When the tea is brought at five o'clock,
And all the neat curtains are drawn with care,
The little black cat with bright green eyes
Is suddenly purring there.

At first she pretends, having nothing to do,
She has come in merely to blink by the grate,
But, though tea may be late or the milk may be sour,
She is never late.

And presently her agate eyes
Take a soft large milky haze,
And her independent casual glance
Becomes a stiff hard gaze.

Then she stamps her claws or lifts her ears
Or twists her tail and begins to stir,
Till suddenly all her lithe body becomes
One breathing trembling purr.

The children eat and wriggle and laugh;
The two old ladies stroke their silk:
But the cat is grown small and thin with desire,
Transformed to a creeping lust for milk.

The white saucer like some full moon descends
At last from the clouds of the table above;
She sighs and dreams and thrills and glows,
Transfigured with love.

She nestles over the shining rim,
Buries her chin in the creamy sea;
Her tail hangs loose; each drowsy paw
Is doubled under each bending knee.

A long dim ecstasy holds her life;
Her world is an infinite shapeless white,
Till her tongue has curled the last holy drop,
Then she sinks back into the night,

Draws and dips her body to heap
Her sleepy nerves in the great arm-chair,
Lies defeated and buried deep
Three or four hours unconscious there.

Charon's Song

by Charles Murray

Another boat-load for the Further Shore,
Heap them up high in the stern;
Nae ane o' them ever has crossed before
An' never a ane 'll return.
Heavy it rides sae full, sae full,
Deep, deep is the River,
But light, light is the backward pull,
The River flows silently on.

A cargo o' corps that are cauld I trow—
They're grippy that grudge the fare—
An' the antrin quick wi' his golden bough
That's swappin' the Here for There.
Heavy it rides sae full, sae full,
Slow, slow is the River,
But light, light is the backward pull,
The River flows silently on.

In vain will they look wha seek for a ford,
Where the reeds grow lank an' lang:
This is the ferry, an' I am the lord
An' king o' the boat an' stang.
Heavy it rides sae full, sae full,
Black, black is the River,
But light, light is the backward pull,
The River, my River, flows on.

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Track 1
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