Poem fractal

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0.027 apart. A smaller distance means the lines are built more alike.

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For Music

by Lord Byron

−0.0316 + 0.3759i

Drawing the boundary…

Love is Deaf: The Ballad of Barney McBard

by Richard

−0.0426 + 0.3511i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

For Music

by Lord Byron

I speak not, I trace not, I breathe not thy name,
There is grief in the sound, there is guilt in the fame:
But the tear which now burns on my cheek may impart
The deep thoughts that dwell in that silence of heart.

Too brief for our passion, too long for our peace
Were those hours—can their joy or their bitterness cease?
We repent—we abjure—we will break from our chain,—
We will part,—we will fly to—unite it again!

Oh! thine be the gladness, and mine be the guilt!
Forgive me, adored one!— forsake, if thou wilt;—
But the heart which is thine shall expire undebased,
And man shall not break it—whatever thou mayst.

And stern to the haughty, but humble to thee,
This soul, in its bitterest blackness, shall be;
And our days seem as swift, and our moments more sweet,
With thee by my side, than with worlds at our feet.

One sigh of thy sorrow, one look of thy love,
Shall turn me or fix, shall reward or reprove;
And the heartless may wonder at all I resign—
Thy lip shall reply, not to them, but to mine.

Love is Deaf: The Ballad of Barney McBard

by Richard

There once was a singer, old Barney McBard,
Whose voice was as rough as a wire-brush on lard.
He'd warble and wail with the grace of a goat,
But by God, every song came straight from his throat.

Now Barney, he fancied himself quite the star,
Though his pitch was as wayward as sailors in bars.
His manager, Slick Pete, with pomade in his hair,
Said, "Barney, my boy, you're a vocal nightmare!"

"Fear not," said old Slick with a glint in his eye,
"There's a newfangled gadget we simply must try.
It's called Auto-Tune, and it works like a charm,
It'll fix your bum notes without breaking an arm."

But Barney stood firm with his chin in the air,
"I'll not have my voice altered, tweaked, or repaired!
My warbling's authentic, it's genuine stuff,
If you don't like the sound, well that's just tough."

Slick Pete, he insisted, grew red in the face,
"Without Auto-Tune, you're a bloody disgrace!
Your voice is a crime, it's an assault on the ear,
It frightens small children and curdles the beer!"

But Barney just grinned and he picked up his git,
Said, "I'd rather sing poorly than not sing a bit.
My voice may be rough, and my pitch may be skew,
But at least it's all me, and it's honestly true."

So Barney went on with his off-key crusade,
Singing pubs and small clubs, never making the grade.
And one fateful night at the old Frog and Fiddle,
He croaked out a ballad that solved life's great riddle.

For there in the crowd sat a tone-deaf old crone,
Who thought Barney's voice was as sweet as her own.
They married next week in a ceremony grand,
Where they both sang their vows to the horror of all hands.

Now the moral, dear friends, of this musical tale:
True love's often deaf, and off-key to prevail.
So sing from your heart, be it tenor or croak,
For somewhere there's someone who'll get the joke.

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