Poem fractal

Side by side

Random

0.046 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

To Rhea

by Ralph Waldo Emerson

−0.2570 + 0.8112i

Drawing the boundary…

Cabaret

by Dylan Thomas

−0.2210 + 0.7833i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

To Rhea

by Ralph Waldo Emerson

Thee, dear friend, a brother soothes,
Not with flatteries, but truths,
Which tarnish not, but purify
To light which dims the morning's eye.
I have come from the spring-woods,
From the fragrant solitudes;—
Listen what the poplar-tree
And murmuring waters counselled me.

If with love thy heart has burned;
If thy love is unreturned;
Hide thy grief within thy breast,
Though it tear thee unexpressed;
For when love has once departed
From the eyes of the false-hearted,
And one by one has torn off quite
The bandages of purple light;
Though thou wert the loveliest
Form the soul had ever dressed,
Thou shalt seem, in each reply,
A vixen to his altered eye;
Thy softest pleadings seem too bold,
Thy praying lute will seem to scold;
Though thou kept the straightest road,
Yet thou errest far and broad.

But thou shalt do as do the gods
In their cloudless periods;
For of this lore be thou sure,—
Though thou forget, the gods, secure,
Forget never their command,
But make the statute of this land.
As they lead, so follow all,
Ever have done, ever shall.
Warning to the blind and deaf,
'T is written on the iron leaf,
Who drinks of Cupid's nectar cup
Loveth downward, and not up;
He who loves, of gods or men,
Shall not by the same be loved again;
His sweetheart's idolatry
Falls, in turn, a new degree.
When a god is once beguiled
By beauty of a mortal child
And by her radiant youth delighted,
He is not fooled, but warily knoweth
His love shall never be requited.
And thus the wise Immortal doeth,—
'T is his study and delight
To bless that creature day and night;
From all evils to defend her;
In her lap to pour all splendor;
To ransack earth for riches rare,
And fetch her stars to deck her hair:
He mixes music with her thoughts,
And saddens her with heavenly doubts:
All grace, all good his great heart knows,
Profuse in love, the king bestows,
Saying, 'Hearken! Earth, Sea, Air!
This monument of my despair
Build I to the All-Good, All-Fair.
Not for a private good,
But I, from my beatitude,
Albeit scorned as none was scorned,
Adorn her as was none adorned.
I make this maiden an ensample
To Nature, through her kingdoms ample,
Whereby to model newer races,
Statelier forms and fairer faces;
To carry man to new degrees
Of power and of comeliness.
These presents be the hostages
Which I pawn for my release.
See to thyself, O Universe!
Thou art better, and not worse.'—
And the god, having given all,
Is freed forever from his thrall.

Cabaret

by Dylan Thomas

I, poor romantic, held her heel
Upon the island of my palm,
And saw towards her tiny face
Going her glistening calves that minute.
There was a purpose in her pointed foot;
Her thighs and underclothes were sweet,
And drew my spiral breath
To circumambulate for decency
Their golden and their other colour.
The band was playing on the balcony.
One lady’s hand was lifted,
But she did not cry, ‘I see;
I see the man is mad with love.’
Her fan burst in a million lights
As that her heel was lifted,
Gone from my palm to leave it marked
With quite a kind of heart.
She is on dancing toes again,
Sparkling a twelve-legged body
And many arms to raise
Over her heel and me.
I, poor romantic, contemplate
The insect on this painted tree.
Which is the metal wing
And which the real?

—
—
0:00
0:00
Track 1
Skip to main content