A quiet notice V2Melody closes at midnight on , Spanish time.

A note from Richard

V2Melody will close at midnight on 31 December 2026

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

Until midnight on 31 December 2026, Spanish time, everything remains available exactly as it is. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.086 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Chicken Blood

by Hervey Allen

−0.8697 + 0.0801i

Drawing the boundary…

Time cannot be worn

by Hart Crane

−0.7870 + 0.0567i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Chicken Blood

by Hervey Allen

The old black crone beside the fire
Will be awake this Friday night,
Honing an axe—honing, honing—
And a West Indian melody intoning.
For Saturday will bring at early light
The wagons with the chickens from the farm,
And she will taste the last of all delight—
Killing, killing chickens in the court,
The old, dark granny's only sport—
The axe and twitching bodies, and the blood
Upon her hands, splashes on her face like mud
From thick volcanic springs still warm.

To-night she takes the clay pipe from her hair—
Honing, honing—
And lights it by the faggot's orange glare,
Sucking the rank tobacco and the midnight air—
This old West Indian crone—
Drooling, droning, feeling the axe along,
Crooning, moaning an old, old song.

Ah, sweet, to take another being's breath!
So near the grave,
To prove herself alive by dealing death.
To hear the sudden chop, chop, chop,
To see the headless bodies flap and flop—
The piteous chuckling and the chortling
Of her victims and the thrill
Of the axe, and the flash,
And the flap, flap,—plop—
And the rows of feathered bodies lying still!

"Ah-eee," she sings and she sighs,
Listening to the mating of the cats, and the cries
Of the owls and the ring
Of the axe that she fingers
With the touch of the harpist, when he lingers
On the last high note—
That is rising in her throat—
She could sing to the axe, she could sing!

Time cannot be worn

by Hart Crane

Time cannot be worn strapped to the supple wrist
Like any buckled jewel or bangle; no,
Lady, though fingers that attach it twist
The oyster from its shell, may guide the bow
Across cool strings that lift a lasting claim
Upon Eternity. No, Lady,

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