Poem fractal

Side by side

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0.032 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Identity

by Mark Van Doren

−0.2071 + 0.9220i

Drawing the boundary…

A Bushman's Song

by Banjo Paterson

−0.1797 + 0.9382i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Identity

by Mark Van Doren

He knew a place on the mountain where he went
A certain kind of morning, clear and warm.
The sky was open there, and not a cloud
Came over; not a buzzard filled the blue.
The cattle never climbed so high, and the dog—
He left her in the shed. All day he walked
Without an eye upon him he could feel;
Or sat among the stones, himself a stone,
Watching an empty heaven till his mind
Passed out of him and poured the silence full.
His legs were his no longer, and a hand,
Resting upon a knee, was miles away.
All afternoon he sat, and when he moved
It was as if a stone settled a little
To firmer and longer sleep. Only the wind,
At evening, made him wake and stumble off
To stand upon a bluff over the farm.
The kitchen chimney then, and supper waiting,
Uttered his name aloud and brought him down.

A Bushman's Song

by Banjo Paterson

I'm travellin' down the Castlereagh, and I'm a station hand,
I'm handy with the ropin' pole, I'm handy with the brand,
And I can ride a rowdy colt, or swing the axe all day,
But there's no demand for a station hand along the Castlereagh.

So it's shift, boys, shift, for there isn't the slightest doubt
That we've got to make a shift to the stations further out
With the packhorse runnin' after, for he follows like a dog,
We must strike across the country at the old jig-jog.

This old black horse I'm riding — if you'll notice what's his brand,
He wears the crooked R, you see — none better in the land.
He takes a lot of beatin', and the other day we tried,
For a bit of a joke, with a racing bloke, for twenty pounds aside.

It was shift, boys, shift, for there wasn't the slightest doubt,
That I had to make him shift, for the money was nearly out;
But he cantered home a winner, with the other one at the flog —
He's a red-hot sort of pick up with his old jig-jog.

I asked a cove for shearin' once along the Marthaguy:
'We shear non-union, here,' says he. 'I call it scab,' says I.
I looked along the shearin' floor before I turned to go —
There were eight or ten dashed Chinamen a-shearin' in a row.

It was shift, boys, shift, for there wasn't the slightest doubt
It was time to make a shift with the leprosy about.
So I saddled up my horses, and I whistled to my dog,
And I left his scabby station at the old jig-jog.

I went to Illawarra where my brother's got a farm,
He has to ask his landlord's leave before he lifts his arm;
The landlord owns the countryside — man, woman, dog, and cat,
They haven't the cheek to dare to speak without they touch their hat.

It was shift, boys, shift, for there wasn't the slightest doubt
Their little landlord god and I would soon have fallen out;
Was I to touch my hat to him? — was I his bloomin' dog?
So I makes for up the country at the old jig-jog.

But it's time that I was movin', I've a mighty way to go
Till I drink artesian water from a thousand feet below;
Till I meet the overlanders with the cattle comin' down,
And I'll work a while till I make a pile, then have a spree in town.

So, it's shift, boys, shift, for there isn't the slightest doubt
We've got to make a shift to the stations further out;
The packhorse runs behind us, for he follows like a dog,
And we cross a lot of country at the old jig-jog.

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