Filled is Life's goblet to the brim;
And though my eyes with tears are dim,
I see its sparkling bubbles swim,
And chant a melancholy hymn
With solemn voice and slow.

No purple flowers, — no garlands green,
Conceal the goblet's shade or sheen,
Nor maddening draughts of Hippocrene,
Like gleams of sunshine, flash between
Thick leaves of mistletoe.

This goblet, wrought with curious art,
Is filled with waters, that upstart,
When the deep fountains of the heart,
By strong convulsions rent apart,
Are running all to waste.

And as it mantling passes round,
With fennel is it wreathed and crowned,
Whose seed and foliage sun-imbrowned
Are in its waters steeped and drowned,
And give a bitter taste.

Above the lowly plants it towers,
The fennel, with its yellow flowers,
And in an earlier age than ours
Was gifted with the wondrous powers,
Lost vision to restore.

It gave new strength, and fearless mood;
And gladiators, fierce and rude,
Mingled it in their daily food;
And he who battled and subdued,
A wreath of fennel wore.

Then in Life's goblet freely press,
The leaves that give it bitterness,
Nor prize the colored waters less,
For in thy darkness and distress
New light and strength they give!

And he who has not learned to know
How false its sparkling bubbles show,
How bitter are the drops of woe,
With which its brim may overflow,
He has not learned to live.

The prayer of Ajax was for light;
Through all that dark and desperate fight
The blackness of that noonday night
He asked but the return of sight,
To see his foeman's face.

Let our unceasing, earnest prayer
Be, too, for light, — for strength to bear
Our portion of the weight of care,
That crushes into dumb despair
One half the human race.

O suffering, sad humanity!
O ye afflicted one; who lie
Steeped to the lips in misery,
Longing, and yet afraid to die,
Patient, though sorely tried!

I pledge you in this cup of grief,
Where floats the fennel's bitter leaf!
The Battle of our Life is brief
The alarm, — the struggle, — the relief,
Then sleep we side by side.

On a background of pale gold
I would trace with quaint design,
Penciled fine,
Brilliant-colored, Moorish scenes,
Mosques and crescents, pages, queens,
Line on line,
That the prose-world of to-day
Might the gorgeous Past's array
Once behold.

On the magic painted shield
Rich Granada's Vega green
Should be seen;
Crystal fountains, coolness flinging,
Hanging gardens' skyward springing
Emerald sheen;
Ruddy when the daylight falls,
Crowned Alhambra's beetling walls
Stand revealed;

Balconies that overbrow
Field and city, vale and stream.
In a dream
Lulled the drowsy landscape basks;
Weary toilers cease their tasks.
Mark the gleam
Silvery of each white-swathed peak!
Mountain-airs caress the cheek,
Fresh from snow.

Here in Lindaraxa's bower
The immortal roses bloom;
In the room
Lion-guarded, marble-paven,
Still the fountain leaps to heaven.
But the doom
Of the banned and stricken race
Overshadows every place,
Every hour.

Where fair Lindaraxa dwelt
Flits the bat on velvet wings;
Mute the strings
Of the broken mandoline;
The Pavilion of the Queen
Widely flings
Vacant windows to the night;
Moonbeams kiss the floor with light
Where she knelt.

Through these halls that people stepped
Who through darkling centuries
Held the keys
Of all wisdom, truth, and art,
In a Paradise apart,
Lapped in ease,
Sagely pondering deathless themes,
While, befooled with monkish dreams,
Europe slept.

Where shall they be found to-day?
Yonder hill that frets the sky
"The Last Sigh
Of the Moor" is namèd still.
There the ill-starred Boabdil
Bade good-by
To Granada and to Spain,
Where the Crescent ne'er again
Holdeth sway.

Vanished like the wind that blows,
Whither shall we seek their trace
On earth's face?
The gigantic wheel of fate,
Crushing all things soon or late,
Now a race,
Now a single life o'erruns,
Now a universe of suns,
Now a rose.