A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.041 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Peon's Child

by Benjamin Griffith Brawley

−0.4617 + 0.3847i

Drawing the boundary…

The Woman in the Shadow

by Nora Hopper Chesson

−0.4498 + 0.4237i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Peon's Child

by Benjamin Griffith Brawley

Out in the acres underneath the sun,
The full-blown cotton, after months of rain,
Breaks from the boll and longs to kiss the ground.
Wearied with pain and blinded by the dust,
A child plods slowly down the long white rows,
A sack hung on his back, and in his eyes
The press and greed of ages and the world,
But evermore within his heart a hope,
And on his lips a trill and snatch of song.

What knows this child of how to give and take,
Of syntax or of places on the map?
What does he think of Isaac Newton's law;
What does he care for Shakspere and the light?
How can he measure in the after-years
The scale of justice or be held for sin?
Around him in God's glory and the light
A passionate bird hurls its defiant soul
Forth to the clouds in mocking of the blue;
But what is this to him whom in the years
A long, long wilderness of white awaits?
Around him sings the silence of the dawn,
Above him all the symphonies of heaven;
But what to him the glory or the gleam,
What means the music of the spheres to him?

Ye men who own the cotton-fields and plains,
Who run the whirring factories and the mills,
Weaving your wealth of heart-strings and of tears,
What is the heritage ye give this child?
What will ye say in that hereafter day,
When far beyond the working of the world,
Within the circuit of a righteous judge,
He greets you in the thunder-clouds of heaven?

The Woman in the Shadow

by Nora Hopper Chesson

"Sweet, sweet, sweet," says the greenfinch in the meadow, 
"Sweet" sings the willow-wren as he seeks his mate; 
"Sweet, sweet, sweet," but the woman in the shadow 
Whispers "Wait!" 

"Sweet, sweet, sweet!" cries the south wind at his fleetest, 
Bending down the buttercups in their golden state — 
"Sweet!" but a softer voice than his at sweetest, 
Answers "Wait." 

The bleak wind, the north wind has breathed on the lilies. 
Harried is the wren's nest, wounded goes his mate, 
Where we dreamed of Love himself a veiled shape still is. 
But she's Fate. 

Where's the use of keening? what help in weeping 
When the fair thing, the rare thing lies coffined at our feet. 
But the woman in the shadow from the other side of sleeping 
Whispers "Sweet!" 

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