Poem fractal

Side by side

Random

0.015 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Little Boy Found

by William Blake

−0.4992 − 0.4570i

Drawing the boundary…

The Song of the Shirt

by Thomas Hood

−0.5125 − 0.4633i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Little Boy Found

by William Blake

The little boy lost in the lonely fen,
    Led by the wandering light,
Began to cry, but God, ever nigh,
    Appeared like his father, in white.

He kissed the child, and by the hand led,
    And to his mother brought,
Who in sorrow pale, through the lonely dale,
    Her little boy weeping sought.

The Song of the Shirt

by Thomas Hood

With fingers weary and worn,
      With eyelids heavy and red,
    A Woman sat, in unwomanly rags,
      Plying her needle and thread—
        Stitch! stitch! stitch!
    In poverty, hunger, and dirt,
    And still with the voice of dolorous pitch
    She sang the "Song of the Shirt!"

    "Work! Work! Work!
  While the cock is crowing aloof!
    And work—work—work,
  Till the stars shine through the roof!
  It's O! to be a slave
    Along with the barbarous Turk,
  Where woman has never a soul to save
  If this is Christian work!

    "Work—work—work
  Till the brain begins to swim,
    Work—work—work
  Till the eyes are heavy and dim!
  Seam, and gusset, and band,
    Band, and gusset, and seam,
  Till over the buttons I fall asleep,
    And sew them on in a dream!

    "O, Men with Sisters dear!
    O, Men! with Mothers and Wives!
  It is not linen you're wearing out,
    But human creatures' lives!
      Stitch—stitch—stitch,
  In poverty, hunger, and dirt,
  Sewing at once, with a double thread,
  A Shroud as well as a Shirt.

    "But why do I talk of Death!
    That Phantom of grisly bone,
  I hardly fear his terrible shape,
    It seems so like my own—
    It seems so like my own,
    Because of the fasts I keep;
  O God! that bread should be so dear,
    And flesh and blood so cheap!

    "Work—work—work!
    My labour never flags;
  And what are its wages? A bed of straw,
    A crust of bread—and rags.
  That shatter'd roof,—and this naked floor—
    A table—a broken chair—
  And a wall so blank, my shadow I thank
    For sometimes falling there!

    "Work—work—work!
  From weary chime to chime,
    Work—work—work—
  As prisoners work for crime!
    Band, and gusset, and seam,
    Seam, and gusset, and band,
  Till the heart is sick, and the brain benumb'd,
    As well as the weary hand.

    "Work—work—work,
  In the dull December light,
    And work—work—work,
  When the weather is warm and bright—
  While underneath the eaves
    The brooding swallows cling,
  As if to show me their sunny backs
    And twit me with the spring.

    "O, but to breathe the breath
  Of the cowslip and primrose sweet!—
    With the sky above my head,
  And the grass beneath my feet;
  For only one short hour
    To feel as I used to feel,
  Before I knew the woes of want
    And the walk that costs a meal!

    "O, but for one short hour!
      A respite however brief!
  No blessed leisure for Love or Hope,
    But only time for Grief!
  A little weeping would ease my heart,
    But in their briny bed
  My tears must stop, for every drop
    Hinders needle and thread!

    "Seam, and gusset, and band,
  Band, and gusset, and seam,
      Work, work, work,
  Like the Engine that works by Steam!
  A mere machine of iron and wood
    That toils for Mammon's sake—
  Without a brain to ponder and craze
    Or a heart to feel—and break!"

      —With fingers weary and worn,
    With eyelids heavy and red,
  A Woman sat, in unwomanly rags,
    Plying her needle and thread—
      Stitch! stitch! stitch!
    In poverty, hunger, and dirt,
  And still with a voice of dolorous pitch,—
  Would that its tone could reach the Rich!—
  She sang this "Song of the Shirt!"

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