Commencement
Commencement is a day of dreams,
Of castles grand, of murm'ring streams,
Of cities fair, where roses grow,
Of summer clouds, where breezes blow,
And this, the wish I bring to you,
May all your noble dreams come true!
Poem fractal
0.024 apart. A smaller distance means the lines are built more alike.
This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.
−0.2082 − 0.3767i
Drawing the boundary…
−0.2290 − 0.3648i
Drawing the boundary…
Each poem scrolls on its own, so the two texts stay beside each other.
Commencement is a day of dreams,
Of castles grand, of murm'ring streams,
Of cities fair, where roses grow,
Of summer clouds, where breezes blow,
And this, the wish I bring to you,
May all your noble dreams come true!
The roving breezes come and go
On Kiley's Run,
The sleepy river murmurs low,
And far away one dimly sees
Beyond the stretch of forest trees —
Beyond the foothills dusk and dun —
The ranges sleeping in the sun
On Kiley's Run.
'Tis many years since first I came
To Kiley's Run,
More years than I would care to name
Since I, a stripling, used to ride
For miles and miles at Kiley's side,
The while in stirring tones he told
The stories of the days of old
On Kiley's Run.
I see the old bush homestead now
On Kiley's Run,
Just nestled down beneath the brow
Of one small ridge above the sweep
Of river flat, where willows weep
And jasmine flowers and roses bloom,
The air was laden with perfume
On Kiley's Run.
We lived the good old station life
On Kiley's Run,
With little thought of care or strife.
Old Kiley seldom used to roam,
He liked to make the Run his home,
The swagman never turned away
With empty hand at close of day
From Kiley's Run.
We kept a racehorse now and then
On Kiley's Run,
And neighb'ring stations brought their men
To meetings where the sport was free,
And dainty ladies came to see
Their champions ride; with laugh and song
The old house rang the whole night long
On Kiley's Run.
The station hands were friends I wot
On Kiley's Run,
A reckless, merry-hearted lot —
All splendid riders, and they knew
The 'boss' was kindness through and through.
Old Kiley always stood their friend,
And so they served him to the end
On Kiley's Run.
But droughts and losses came apace
To Kiley's Run,
Till ruin stared him in the face;
He toiled and toiled while lived the light,
He dreamed of overdrafts at night:
At length, because he could not pay,
His bankers took the stock away
From Kiley's Run.
Old Kiley stood and saw them go
From Kiley's Run.
The well-bred cattle marching slow;
His stockmen, mates for many a day,
They wrung his hand and went away.
Too old to make another start,
Old Kiley died — of broken heart,
On Kiley's Run.
The owner lives in England now
Of Kiley's Run.
He knows a racehorse from a cow;
But that is all he knows of stock:
His chiefest care is how to dock
Expenses, and he sends from town
To cut the shearers' wages down
On Kiley's Run.
There are no neighbours anywhere
Near Kiley's Run.
The hospitable homes are bare,
The gardens gone; for no pretence
Must hinder cutting down expense:
The homestead that we held so dear
Contains a half-paid overseer
On Kiley's Run.
All life and sport and hope have died
On Kiley's Run
No longer there the stockmen ride;
For sour-faced boundary riders creep
On mongrel horses after sheep,
Through ranges where, at racing speed,
Old Kiley used to 'wheel the lead'
On Kiley's Run.
There runs a lane for thirty miles
Through Kiley's Run.
On either side the herbage smiles,
But wretched trav'lling sheep must pass
Without a drink or blade of grass
Thro' that long lane of death and shame:
The weary drovers curse the name
Of Kiley's Run.
The name itself is changed of late
Of Kiley's Run.
They call it 'Chandos Park Estate'.
The lonely swagman through the dark
Must hump his swag past Chandos Park.
The name is English, don't you see,
The old name sweeter sounds to me
Of 'Kiley's Run'.
I cannot guess what fate will bring
To Kiley's Run —
For chances come and changes ring —
I scarcely think 'twill always be
Locked up to suit an absentee;
And if he lets it out in farms
His tenants soon will carry arms
On Kiley's Run.
A fractal is a shape that keeps its pattern when you look closer. Coastlines, trees, shells, and weather do this. The large form and the small form are the same kind of thing. A poem can be drawn that way. The shape of the whole comes from the shape of the lines.
Primunia is the name for the source of that order: the pattern under the pattern, already there in a tree, a shell, and a verse.
The number under the picture is the poem constant. It is read from the build of the lines: their length, how uneven they are, the size of the stanzas, the share of vowels, and the way the lines end. A new word moves the number when it changes that build. The same poem always gives the same number.
Drawn on its own, that number sits in a quiet part of the plane, and most poems would look like the same soft disk. So the number is carried outward along its own direction until it meets the edge of the Mandelbrot set, where the shape turns sharp. The picture is the Julia set of that meeting place.
Each point on the canvas is folded again and again by one small rule. Points that stay near the rule form the dark interior. Points that rush away become the coloured bands. The hue comes from the poem constant, and the brightest bands turn toward gold. Change the length of a line, the stanza, or the vowel share, and both the number and the picture move.
Branching draws the poem as a tree. Each turn follows a line, and every smaller branch repeats that pattern. A longer line reaches farther. The letters at the start of a line bend the next turn. A higher share of vowels opens the branches wider.
The trunk takes its colour from the poem constant and warms toward gold at the tips. When the poem has more than one stanza, gold forks leave the trunk. Each fork is a stanza beyond the first, up to three. The tree divides where the poem divides. One stanza remains a single trunk.
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