Commencement
Commencement is a day of dreams,
Of castles grand, of murm'ring streams,
Of cities fair, where roses grow,
Of summer clouds, where breezes blow,
And this, the wish I bring to you,
May all your noble dreams come true!
Poem fractal
0.028 apart. A smaller distance means the lines are built more alike.
This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.
−0.2082 − 0.3767i
Drawing the boundary…
−0.2166 − 0.3505i
Drawing the boundary…
Each poem scrolls on its own, so the two texts stay beside each other.
Commencement is a day of dreams,
Of castles grand, of murm'ring streams,
Of cities fair, where roses grow,
Of summer clouds, where breezes blow,
And this, the wish I bring to you,
May all your noble dreams come true!
The beating of the guns grows louder.
"Not long, boys, now."
My heart burns whiter, fearfuller, prouder;
Hurricanes grow
As guns redouble their fire.
Through the shaken periscope peeping
I glimpse their wire:
Black earth, fountains of earth rise, leaping,
Spouting like shocks of meeting waves.
Death's fountains are playing,
Shells like shrieking birds rush over;
Crash and din rises higher.
A stream of lead raves
Over us from the left… (we safe under cover!)
Crash. Reverberation. Crash!
Acrid smoke billowing. Flash upon flash.
Black smoke drifting. The German line
Vanishes in confusion, smoke. Cries, and cry
Of our men, "Gah, yer swine!
Ye're for it," die
In a hurricane of shell.
One cry;
"We're comin' soon! look out!"
There is opened hell
Over there. Fragments fly,
Rifles and bits of men whirled at the sky:
Dust, smoke, thunder. A sudden bout
Of machine-guns chattering….
And redoubled battering
As if in fury at their daring….
No good staring.
Time soon now… home… house on a sunny hill….
Gone like a flickered page.
Time soon now… zero… will engage…
A sudden thrill.
"Fix bayonets."
Gods! we have our fill
Of fear, hysteria, exultation, rage,
Rage to kill.
My heart burns hot, whiter and whiter,
Contracts tighter and tighter,
Until I stifle with the will
Long forged, now used
(Though utterly strained)—
O pounding heart,
Baffled, confused,
Heart panged, head singing, dizzily pained —
To do my part.
Blindness a moment. Sick.
There the men are.
Bayonets ready: click!
Time goes quick;
A stumbled prayer… somehow a blazing star
In a blue night… where?
Again prayer.
The tongue trips. Start:
How's time? Soon now. Two minutes or less.
The guns' fury mounting higher...
Their utmost. I lift a silent hand. Unseen I bless
Those hearts will follow me.
And beautifully,
Now beautifully my will grips.
Soul calm and round and filmed and white!
A shout! "Men, no such order as retire!"
I nod.
The whistle's twixt my lips….
I catch
A wan, worn smile at me.
Dear men!
The pale wrist-watch….
The quiet hand ticks on amid the din.
The guns again
Rise to a last fury, to a rage, a lust:
Kill! Pound! Kill! Pound! Pound!
Now comes the thrust,
My part… dizziness… will… but trust
These men. The great guns rise.
Their fury seems to burst the earth and skies!
They lift!
Gather, heart, all thoughts that drift;
Be steel, soul,
Compress thyself
Into a round, bright whole.
I cannot speak.
Time! Time!
I hear my whistle shriek
Between teeth set,
I fling an arm up,
Scramble up the grime
Over the parapet!
I'm up. Go on.
Something meets us.
Head down into the storm that greets us.
A wail!
Lights. Blurr.
Gone.
On, on. Lead. Lead. Hail.
Spatter. Whirr. Whirr.
"Toward that patch of brown,
Direction left." Bullets: a stream.
Devouring thought crying in a dream;
Men, crumpled, going down….
Go on. Go.
Deafness, Numbness. The loudening tornado.
Bullets. Mud. Stumbling and skating.
My voice's strangled shout:—
"Steady pace, boys!"
The still light: gladness.
"Look, sir. Look out!"
Ha! ha! Bunched figures waiting.
Revolver levelled quick!
Flick! Flick!
Red as blood.
Germans. Germans.
Good! O good!
Cool madness.
A fractal is a shape that keeps its pattern when you look closer. Coastlines, trees, shells, and weather do this. The large form and the small form are the same kind of thing. A poem can be drawn that way. The shape of the whole comes from the shape of the lines.
Primunia is the name for the source of that order: the pattern under the pattern, already there in a tree, a shell, and a verse.
The number under the picture is the poem constant. It is read from the build of the lines: their length, how uneven they are, the size of the stanzas, the share of vowels, and the way the lines end. A new word moves the number when it changes that build. The same poem always gives the same number.
Drawn on its own, that number sits in a quiet part of the plane, and most poems would look like the same soft disk. So the number is carried outward along its own direction until it meets the edge of the Mandelbrot set, where the shape turns sharp. The picture is the Julia set of that meeting place.
Each point on the canvas is folded again and again by one small rule. Points that stay near the rule form the dark interior. Points that rush away become the coloured bands. The hue comes from the poem constant, and the brightest bands turn toward gold. Change the length of a line, the stanza, or the vowel share, and both the number and the picture move.
Branching draws the poem as a tree. Each turn follows a line, and every smaller branch repeats that pattern. A longer line reaches farther. The letters at the start of a line bend the next turn. A higher share of vowels opens the branches wider.
The trunk takes its colour from the poem constant and warms toward gold at the tips. When the poem has more than one stanza, gold forks leave the trunk. Each fork is a stanza beyond the first, up to three. The tree divides where the poem divides. One stanza remains a single trunk.
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