A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.036 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

I Loved a Lass

by George Wither

0.1631 − 0.7358i

Drawing the boundary…

In an Omnibus

by Arthur Symons

0.1777 − 0.7031i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

I Loved a Lass

by George Wither

I loved a lass, a fair one,
As fair as e'er was seen;
She was indeed a rare one,
Another Sheba Queen:
But, fool as then I was,
I thought she loved me too:
But now, alas! she's left me,
Falero, lero, loo!

Her hair like gold did glister,
Each eye was like a star,
She did surpass her sister,
Which pass'd all others far;
She would me 'honey' call,
She'd—O she'd kiss me too!
But now, alas! she's left me,
Falero, lero, loo!

In summer time to Medley
My love and I would go;
The boatmen there stood read'ly
My love and me to row.
For cream there would we call,
For cakes and for prunes too;
But now, alas! she's left me,
Falero, lero, loo!

Her cheeks were like the cherry,
Her skin was white as snow;
When she was blithe and merry
She angel-like did show;
Her waist exceeding small,
The fives did fit her shoe:
But now, alas! she's left me,
Falero, lero, loo!

In summer time or winter
She had her heart's desire;
I still did scorn to stint her
From sugar, sack, or fire;
The world went round about,
No cares we ever knew:
But now, alas! she's left me,
Falero, lero, loo!

To maidens' vows and swearing
Henceforth no credit give;
You may give them the hearing,
But never them believe;
They are as false as fair,
Unconstant, frail, untrue:
For mine, alas! hath left me,
Falero, lero, loo!

In an Omnibus

by Arthur Symons

Your smile is like a treachery,
A treachery adorable;
So smiles the siren where the sea
Sings to the unforgetting shell.

Your fleeting Leonardo face,
Parisian Monna Lisa, dreams
Elusively, but not of streams
Born in a shadow-haunted place.

Of Paris, Paris, is your thought,
Of Paris robes, and when to wear
The latest bonnet you have bought
To match the marvel of your hair.

Yet that fine malice of your smile,
That faint and fluctuating glint
Between your eyelids, does it hint
Alone of matters mercantile?

Close lips that keep the secret in,
Half spoken by the stealthy eyes,
Is there indeed no word to win,
No secret, from the vague replies

Of lips and lids that feign to hide
That which they feign to render up?
Is there, in Tantalus’ dim cup,
The shadow of water, nought beside?

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