Poem fractal

Side by side

Random

0.056 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

To the Ladies Des Baux

by Nora Hopper Chesson

0.2818 − 0.2555i

Drawing the boundary…

Rest Only in the Grave

by James Clarence Mangan

0.2554 − 0.3047i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

To the Ladies Des Baux

by Nora Hopper Chesson

Ladies of Aries and of Les Baux, 
Where do your roses bloom to-day? 
Such roses as no gardens grow 
Since the world put off green for gray. 
Ah! gay Baussette and Etiennette, 
Have yours, too, fallen dim and dead, 
Or are they warm and fragrant yet, 
Your heavy roses, dusky-red? 

Where are the songs that Cabestan 
Made long ago to your gold hair, 
Your eyes' gray fire that shamed the dawn, 
Your mouth's red blossom, Berengere? 
And Chateau-Vert's forgot, Berard, 
The chatelaine's forgotten, too, — 
And Marie dwells where shadows are 
And keeps, may be, no thought of you. 

Passe-Rose has passed all roses by, 
Except Death's roses white of blee: 
And none of all her lovers sigh 
That France grows no such flower as she! 
So for a little time, farewell, 
You roses of a warmer day, 
Till I come also where you dwell, 
Where Love is blind and needs must stay. 

Rest Only in the Grave

by James Clarence Mangan

I rode till I reached the House of Wealth—
'Twas filled with Riot and blighted health.

I rode till I reached the House of Love—
'Twas vocal with sighs beneath and above!

I rode till I reached the House of Sin—
There were shrieks and curses without and within.

I rode till I reached the House of Toil—
Its inmates had nothing to bake or boil.

I rode in search of the House of Content,
But never could reach it, far as I went!

The House of Quiet, for Strong and Weak,
And Poor and Rich, I have still to seek.

This House is narrow, and dark, and small,
But the only Peaceful House of all.

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