Poem fractal

Side by side

Random

0.007 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Woman in the Shadow

by Nora Hopper Chesson

−0.4498 + 0.4237i

Drawing the boundary…

The Alchemist

by A. A. Milne

−0.4566 + 0.4253i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Woman in the Shadow

by Nora Hopper Chesson

"Sweet, sweet, sweet," says the greenfinch in the meadow, 
"Sweet" sings the willow-wren as he seeks his mate; 
"Sweet, sweet, sweet," but the woman in the shadow 
Whispers "Wait!" 

"Sweet, sweet, sweet!" cries the south wind at his fleetest, 
Bending down the buttercups in their golden state — 
"Sweet!" but a softer voice than his at sweetest, 
Answers "Wait." 

The bleak wind, the north wind has breathed on the lilies. 
Harried is the wren's nest, wounded goes his mate, 
Where we dreamed of Love himself a veiled shape still is. 
But she's Fate. 

Where's the use of keening? what help in weeping 
When the fair thing, the rare thing lies coffined at our feet. 
But the woman in the shadow from the other side of sleeping 
Whispers "Sweet!" 

The Alchemist

by A. A. Milne

There lives an old man at the top of the street
And the end of his beard reaches down to his feet,
And he's just the one person I'm longing to meet,
I think that he sounds so exciting;
For he talks all the day to his tortoiseshell cat,
And he asks about this, and explains about that,
And at night he puts on a big wide-awake hat
And sits in the writing-room, writing.

He has worked all his life (and he's terribly old)
At a wonderful spell which says, "Lo, and behold!
Your nursery fender is gold!"—and it's gold!
(Or the tongs, or the rod for the curtain);
But some how he hasn't got hold of it quite,
Or the liquid you pour on it first isn't right,
So that's why he works at it night after night
Till he knows he can do it for certain.

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