All armies are the same
All armies are the same
Publicity is fame
Artillery makes the same old noise
Valor is an attribute of boys
Old soldiers all have tired eyes
All soldiers hear the same old lies
Dead bodies always have drawn flies
Poem fractal
0.054 apart. A smaller distance means the lines are built more alike.
This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.
0.5314 − 0.5084i
Drawing the boundary…
by Richard
0.5637 − 0.4655i
Drawing the boundary…
Each poem scrolls on its own, so the two texts stay beside each other.
All armies are the same
Publicity is fame
Artillery makes the same old noise
Valor is an attribute of boys
Old soldiers all have tired eyes
All soldiers hear the same old lies
Dead bodies always have drawn flies
by Richard
She's a witch, I tell you...
Your eyes, they cast a spell on me
Your grace, it sets my soul so free
With that mind, sharp as a knife
You've bewitched my whole life
Bewitched by you, oh what can I do?
Bewitched by you, your love shines through
Are you a witch? I think it's true
'Cause I'm bewitched, so bewitched by you
Computers bend, rain stops at your will
Your gentle touch, it gives me chills
Your compassion, it makes me whole
Got me under your control
Did Hecate send you? Are you her in disguise?
I don't care, I'm happy this way
Under your spell, that's where I'll stay
Magic flows from your fingertips
I'm enslaved by your bewitching lips
Cast your spell on me, my love. I'm yours forever.
A fractal is a shape that keeps its pattern when you look closer. Coastlines, trees, shells, and weather do this. The large form and the small form are the same kind of thing. A poem can be drawn that way. The shape of the whole comes from the shape of the lines.
Primunia is the name for the source of that order: the pattern under the pattern, already there in a tree, a shell, and a verse.
The number under the picture is the poem constant. It is read from the build of the lines: their length, how uneven they are, the size of the stanzas, the share of vowels, and the way the lines end. A new word moves the number when it changes that build. The same poem always gives the same number.
Drawn on its own, that number sits in a quiet part of the plane, and most poems would look like the same soft disk. So the number is carried outward along its own direction until it meets the edge of the Mandelbrot set, where the shape turns sharp. The picture is the Julia set of that meeting place.
Each point on the canvas is folded again and again by one small rule. Points that stay near the rule form the dark interior. Points that rush away become the coloured bands. The hue comes from the poem constant, and the brightest bands turn toward gold. Change the length of a line, the stanza, or the vowel share, and both the number and the picture move.
Branching draws the poem as a tree. Each turn follows a line, and every smaller branch repeats that pattern. A longer line reaches farther. The letters at the start of a line bend the next turn. A higher share of vowels opens the branches wider.
The trunk takes its colour from the poem constant and warms toward gold at the tips. When the poem has more than one stanza, gold forks leave the trunk. Each fork is a stanza beyond the first, up to three. The tree divides where the poem divides. One stanza remains a single trunk.
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