Query—A Musician speaks
How can one sky hold night and day,
Sun and snow?
How can one heart hold love and passion.
Friend and foe?
How can one rose hold flower and thorn,
Bloom and death?
How can music hold these and more?—
Is it God's breath?
Poem fractal
0.019 apart. A smaller distance means the lines are built more alike.
This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.
−0.3180 − 0.7762i
Drawing the boundary…
−0.3267 − 0.7930i
Drawing the boundary…
Each poem scrolls on its own, so the two texts stay beside each other.
How can one sky hold night and day,
Sun and snow?
How can one heart hold love and passion.
Friend and foe?
How can one rose hold flower and thorn,
Bloom and death?
How can music hold these and more?—
Is it God's breath?
And wherefore do the Poor complain?
The rich man asked of me,—
Come walk abroad with me, I said
And I will answer thee.
Twas evening and the frozen streets
Were cheerless to behold,
And we were wrapt and coated well,
And yet we were a-cold.
We met an old bare-headed man,
His locks were few and white,
I ask'd him what he did abroad
In that cold winter's night:
'Twas bitter keen indeed, he said,
But at home no fire had he,
And therefore, he had come abroad
To ask for charity.
We met a young bare-footed child,
And she begg'd loud and bold,
I ask'd her what she did abroad
When the wind it blew so cold;
She said her father was at home
And he lay sick a-bed,
And therefore was it she was sent
Abroad to beg for bread.
We saw a woman sitting down
Upon a stone to rest,
She had a baby at her back
And another at her breast;
I ask'd her why she loiter'd there
When the wind it was so chill;
She turn'd her head and bade the child
That scream'd behind be still.
She told us that her husband served
A soldier, far away,
And therefore to her parish she
Was begging back her way.
We met a girl; her dress was loose
And sunken was her eye,
Who with the wanton's hollow voice
Address'd the passers by;
I ask'd her what there was in guilt
That could her heart allure
To shame, disease, and late remorse?
She answer'd, she was poor.
I turn'd me to the rich man then
For silently stood he,
You ask'd me why the Poor complain,
And these have answer'd thee.
A fractal is a shape that keeps its pattern when you look closer. Coastlines, trees, shells, and weather do this. The large form and the small form are the same kind of thing. A poem can be drawn that way. The shape of the whole comes from the shape of the lines.
Primunia is the name for the source of that order: the pattern under the pattern, already there in a tree, a shell, and a verse.
The number under the picture is the poem constant. It is read from the build of the lines: their length, how uneven they are, the size of the stanzas, the share of vowels, and the way the lines end. A new word moves the number when it changes that build. The same poem always gives the same number.
Drawn on its own, that number sits in a quiet part of the plane, and most poems would look like the same soft disk. So the number is carried outward along its own direction until it meets the edge of the Mandelbrot set, where the shape turns sharp. The picture is the Julia set of that meeting place.
Each point on the canvas is folded again and again by one small rule. Points that stay near the rule form the dark interior. Points that rush away become the coloured bands. The hue comes from the poem constant, and the brightest bands turn toward gold. Change the length of a line, the stanza, or the vowel share, and both the number and the picture move.
Branching draws the poem as a tree. Each turn follows a line, and every smaller branch repeats that pattern. A longer line reaches farther. The letters at the start of a line bend the next turn. A higher share of vowels opens the branches wider.
The trunk takes its colour from the poem constant and warms toward gold at the tips. When the poem has more than one stanza, gold forks leave the trunk. Each fork is a stanza beyond the first, up to three. The tree divides where the poem divides. One stanza remains a single trunk.
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