Poem fractal

Side by side

Random

0.022 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Prayer Before Birth

by Louis MacNeice

−0.2524 + 0.0763i

Drawing the boundary…

Joan o' the Wad

by Nora Hopper Chesson

−0.2733 + 0.0692i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Prayer Before Birth

by Louis MacNeice

I am not yet born; O hear me.
Let not the bloodsucking bat or the rat or the stoat or the
club-footed ghoul come near me.

I am not yet born, console me.
I fear that the human race may with tall walls wall me,
with strong drugs dope me, with wise lies lure me,
on black racks rack me, in blood-baths roll me.

I am not yet born; provide me
With water to dandle me, grass to grow for me, trees to talk
to me, sky to sing to me, birds and a white light
in the back of my mind to guide me.

I am not yet born; forgive me
For the sins that in me the world shall commit, my words
when they speak to me, my thoughts when they think me,
my treason engendered by traitors beyond me,
my life when they murder by means of my
hands, my death when they live me.

I am not yet born; rehearse me
In the parts I must play and the cues I must take when
old men lecture me, bureaucrats hector me, mountains
frown at me, lovers laugh at me, the white
waves call me to folly and the desert calls
me to doom and the beggar refuses
my gift and my children curse me.

I am not yet born; O hear me,
Let not the man who is beast or who thinks he is God
come near me.

I am not yet born; O fill me
With strength against those who would freeze my
humanity, would dragoon me into a lethal automaton,
would make me a cog in a machine, a thing with
one face, a thing, and against all those
who would dissipate my entirety, would
blow me like thistledown hither and
thither or hither and thither
like water held in the
hands would spill me.

Let them not make me a stone and let them not spill me.
Otherwise kill me.

Joan o' the Wad

by Nora Hopper Chesson

Joan o' the Wad from her own folk goes
With a garland woven of gipsy-rose; 
The palms of her hands and the palms of her feet 
Are dark with the stain of bitter-sweet. 
Here and there in her tresses brown 
Tosses a feather of thistle-down: 
About her waist for a girdle green 
She has threaded buds of the argentine. 

Between her breasts for a posy fair,
She has set a handful of maidenhair; 
About her neck for a torque of gold 
A chain of buttercups, fold on fold 
She has bound and wound; and she looks like spring — 
Joan o' the Wad gone wandering 
From the wild brown moor to the deep-walled town, 
Joan o' the Wad in her lime-green gown. 

The apple-bird on the apple-bough 
Whistles with no one to fret him now, 
With cry and chirrup more shrill and clear 
Than his own love-song in the spring o' the year. 
The laden bees going back to the hive 
Joan o' the Wad no more will drive: 
The peach grows red and the pear grows dun, 
With none to cover them up from the sun. 

She has left the cattle unmilked in chall; 
And the miners laugh as they go to bal. 
No more afraid of her pisky eyes 
Where life like the lightning comes and dies — 
And sorrow moves like a leaf, astir 
In a pool where the wind has drownéd her; 
And laughter leaps as the bubbles come 
On fishless ponds covered thick with scum. 

But lads at twilight are fain to hear 
A soft word said in their listening ear; 
And fain to see what they see no more — 
A green gown gleam by the stable-door. 
For towns are many and towns are full; 
But here in the country the water's cool, 
And honey's sweet and the hearts are deep. 
And the Pisky-loves are the loves to keep. 

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