What is she writing? Watch her now,
How fast her fingers move!
How eagerly her youthful brow
Is bent in thought above!
Her long curls, drooping, shade the light,
She puts them quick aside,
Nor knows that band of crystals bright,
Her hasty touch untied.
It slips down her silken dress,
Falls glittering at her feet;
Unmarked it falls, for she no less
Pursues her labour sweet.

The very loveliest hour that shines,
Is in that deep blue sky;
The golden sun of June declines,
It has not caught her eye.
The cheerful lawn, and unclosed gate,
The white road, far away,
In vain for her light footsteps wait,
She comes not forth to-day.
There is an open door of glass
Close by that lady’s chair,
From thence, to slopes of messy grass,
Descends a marble stair.

Tall plants of bright and spicy bloom
Around the threshold grow;
Their leaves and blossoms shade the room
From that sun’s deepening glow.
Why does she not a moment glance
Between the clustering flowers,
And mark in heaven the radiant dance
Of evening’s rosy hours?
O look again! Still fixed her eye,
Unsmiling, earnest, still,
And fast her pen and fingers fly,
Urged by her eager will.

Her soul is in th’absorbing task;
To whom, then, doth she write?
Nay, watch her still more closely, ask
Her own eyes’ serious light;
Where do they turn, as now her pen
Hangs o’er th’unfinished line?
Whence fell the tearful gleam that then
Did in their dark spheres shine?
The summer-parlour looks so dark,
When from that sky you turn,
And from th’expanse of that green park,
You scarce may aught discern.

Yet, o’er the piles of porcelain rare,
O’er flower-stand, couch, and vase,
Sloped, as if leaning on the air,
One picture meets the gaze.
‘Tis there she turns; you may not see
Distinct, what form defines
The clouded mass of mystery
Yon broad gold frame confines.
But look again; inured to shade
Your eyes now faintly trace
A stalwart form, a massive head,
A firm, determined face.

Black Spanish locks, a sunburnt cheek
A brow high, broad, and white,
Where every furrow seems to speak
Of mind and moral might.
Is that her god? I cannot tell;
Her eye a moment met
Th’impending picture, then it fell
Darkened and dimmed and wet.
A moment more, her task is done,
And sealed the letter lies;
And now, towards the setting sun
She turns her tearful eyes.

Those tears flow over, wonder not,
For by the inscription see
In what a strange and distant spot
Her heart of hearts must be!
Three seas and many a league of land
That letter must pass o’er,
Ere read by him to whose loved hand
‘Tis sent from England’s shore.
Remote colonial wilds detain
Her husband, loved though stern;
She, ‘mid that smiling English scene,
Weeps for his wished return.

Out of the sighs a little comes,
But not of grief, for I have knocked down that
Before the agony; the spirit grows,
Forgets, and cries;
A little comes, is tasted and found good;
All could not disappoint;
There must, be praised, some certainty,
If not of loving well, then not,
And that is true after perpetual defeat.

After such fighting as the weakest know,
There’s more than dying;
Lose the great pains or stuff the wound,
He’ll ache too long
Through no regret of leaving woman waiting
For her soldier stained with spilt words
That spill such acrid blood.

Were that enough, enough to ease the pain,
Feeling regret when this is wasted
That made me happy in the sun,
How much was happy while it lasted,
Were vagueness enough and the sweet lies plenty,
The hollow words could bear all suffering
And cure me of ills.

Were that enough, bone, blood, and sinew,
The twisted brain, the fair-formed loin,
Groping for matter under the dog’s plate,
Man should be cured of distemper.
For all there is to give I offer:
Crumbs, barn, and halter.