Poem fractal

Side by side

Random

0.026 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Youth and Art

by Robert Browning

0.1676 − 0.5796i

Drawing the boundary…

My Peggy is a young thing

by Allan Ramsay

0.1752 − 0.6040i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Youth and Art

by Robert Browning

It once might have been, once only:
We lodged in a street together,
You, a sparrow on the housetop lonely,
I, a lone she-bird of his feather.

Your trade was with sticks and clay,
You thumbed, thrust, patted, and polished,
Then laughed "They will see some day,
Smith made, and Gibson demolished."

My business was song, song, song;
I chirped, cheeped, trilled, and twittered,
"Kate Brown's on the boards ere long,
And Grisi's existence embittered!"

I earned no more by a warble
Than you by a sketch in plaster;
You wanted a piece of marble,
I needed a music-master.

We studied hard in our styles,
Chipped each at a crust like Hindoos,
For air, looked out on the tiles,
For fun, watched each other's windows.

You lounged, like a boy of the South,
Cap and blouse—nay, a bit of beard too;
Or you got it, rubbing your mouth
With fingers the clay adhered to.

And I—soon managed to find
Weak points in the flower-fence facing,
Was forced to put up a blind
And be safe in my corset-lacing.

No harm! It was not my fault
If you never turned your eye's tail up
As I shook upon E in alt,
Or ran the chromatic scale up:

For spring bade the sparrows pair.
And the boys and girls gave guesses,
And stalls in our street looked rare
With bulrush and watercresses.

Why did not you pinch a flower
In a pellet of clay and fling it?
Why did not I put a power
Of thanks in a look or sing it?

I did look, sharp as a lynx,
(And yet the memory rankles)
When models arrived, some minx
Tripped up stairs, she and her ankles.

But I think I gave you as good!
"That foreign fellow,—who can know
How she pays, in a playful mood,
For his tuning her that piano?"

Could you say so, and never say
"Suppose we join hands and fortunes,
And I fetch her from over the way,
Her, piano, and long tunes and short tunes?"

No, no: you would not be rash,
Nor I rasher and something over;
You've to settle yet Gibson's hash,
And Grisi yet lives in clover.

But you meet the Prince at the Board,
I'm queen myself at bals-parés,
I've married a rich old lord,
And you're dubbed knight and an R.A.

Each life unfulfilled, you see;
It hangs still, patchy and scrappy:
We have not sighed deep, laughed free,
Starved, feasted, despaired,—been happy

And nobody calls you a dunce,
And people suppose me clever;
This could but have happened once,
And we missed it, lost it forever.

My Peggy is a young thing

by Allan Ramsay

My Peggy is a young thing,
Just enter'd in her teens,
Fair as the day, and sweet as May,
Fair as the day, and always gay.
My Peggy is a young thing,
And I'm not very auld,
Yet well I like to meet her at
The wawking of the fauld.

My Peggy speaks sae sweetly,
When e'er we meet alane.
I wish nae mair, to lay my care,
I wish nae mair, of a' that's rare.
My Peggy speaks sae sweetly,
To a' the lave I'm cauld;
But she gars a' my spirits glow
At wawking of the fauld.

My Peggy smiles sae kindly,
Whene'er I whisper love,
That I look down on a' the town,
That I look down upon a crown.
My Peggy smiles sae kindly,
It makes me blyth and bauld.
And naithing gi'es me sic delight,
As wawking of the fauld.

My Peggy sings sae saftly,
When on my pipe I play;
By a' the rest, it is confest,
By a' the rest, that she sings best.
My Peggy sings sae saftly,
And in her sangs are tald,
With innocence the wale of sense,
At wawking of the fauld.

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