Poem fractal

Side by side

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0.022 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Power of Music

by William Wordsworth

−0.2395 + 0.3791i

Drawing the boundary…

Gerontion

by T. S. Eliot

−0.2194 + 0.3697i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Power of Music

by William Wordsworth

An Orpheus! An Orpheus!—yes, Faith may grow bold,
And take to herself all the wonders of old;—
Near the stately Pantheon you'll meet with the same,
In the street that from Oxford hath borrowed its name.

His station is there;—and he works on the crowd,
He sways them with harmony merry and loud;
He fills with his power all their hearts to the brim—
Was aught ever heard like his fiddle and him!

What an eager assembly! what an empire is this!
The weary have life and the hungry have bliss; 
The mourner is cheared, and the anxious have rest;
And the guilt-burthened Soul is no longer opprest.

As the Moon brightens round her the clouds of the night,
So he where he stands is a center of light;
It gleams on the face, there, of dusky-faced Jack,
And the pale-visaged Baker's, with basket on back.

That errand-bound 'Prentice was passing in haste—
What matter! he's caught—and his time runs to waste—
The News-man is stopped, though he stops on the fret,
And the half-breathless Lamp-lighter he's in the net! 

The Porter sits down on the weight which he bore;
The Lass with her barrow wheels hither her store;—
If a Thief could be here he might pilfer at ease;
She sees the Musician, 'tis all that she sees!

He stands, back'd by the Wall;—he abates not his din;
His hat gives him vigour, with boons dropping in,
From the Old and the Young, from the Poorest; and there!
The one-pennied Boy has his penny to spare.

O blest are the Hearers and proud be the Hand
Of the pleasure it spreads through so thankful a Band; 
I am glad for him, blind as he is!—all the while
If they speak 'tis to praise, and they praise with a smile.

That tall Man, a Giant in bulk and in height,
Not an inch of his body is free from delight;
Can he keep himself still, if he would? oh, not he!
The music stirs in him like wind through a tree.

There's a Cripple who leans on his Crutch; like a Tower
That long has lean'd forward, leans hour after hour!—
Mother, whose Spirit in fetters is bound,
While she dandles the babe in her arms to the sound. 

Now, Coaches and Chariots, roar on like a stream;
Here are twenty souls happy as Souls in a dream:
They are deaf to your murmurs—they care not for you,
Nor what ye are flying, or what ye pursue!

Gerontion

by T. S. Eliot

           Thou hast nor youth nor age
           But as it were an after dinner sleep
           Dreaming on both.

Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the Jew squats on the window-sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.

                   I an old man,
A dull head among windy spaces.

Signs are taken for wonders. 'We would see a sign!'
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger

In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;
By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What's not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what's thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils.
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?

These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White, feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

                  Tenants of the house,
Thoughts of a dry brain in a dry season.

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