Poem fractal

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0.039 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Upon your held-out hand

by Dylan Thomas

−0.1162 + 0.1796i

Drawing the boundary…

A Bush Christening

by Banjo Paterson

−0.1205 + 0.2179i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Upon your held-out hand

by Dylan Thomas

Upon your held-out hand
Count the endless days until they end,
Feel, as the pulse grows tired,
The angels’ wings beating about your head
Unsounding, they beat so soft.
Why count so sadly?
Learn to be merry with the merriest,
Or (change the key!) give vent to utterances
As meaningless as the bells (oh change the life!),
The sideboard fruit, the ferns, the picture houses
And the pack of cards.

When I was seven I counted four and forty trees
That stood before my window,
Which may or may not be relevant
And symbolise the maddening factors
That madden both watchers and actors.
I’ve said my piece: count or go mad.
The new asylum on the hill
Leers down the valley like a fool
Waiting and watching for your fingers to fail
To keep count of the stiles
The thousand sheep
Leap over to my criss-cross rhythms.
I’ve said my piece.

A Bush Christening

by Banjo Paterson

In the outer Barcoo where the churches are few,
And men of religion are scanty,
On a road never cross'd 'cept by folk that are lost,
One Michael Magee had a shanty.

Now this Mike was the dad of a ten-year-old lad,
Plump, healthy, and stoutly conditioned;
He was strong as the best, but poor Mike had no rest
For the youngster had never been christened.

And his wife used to cry, 'If the darlin' should die
Saint Peter would not recognise him.'
But by luck he survived till a preacher arrived,
Who agreed straightaway to baptise him.

Now the artful young rogue, while they held their collogue,
With his ear to the keyhole was listenin',
And he muttered in fright while his features turned white,
'What the divil and all is this christenin'?'

He was none of your dolts, he had seen them brand colts,
And it seemed to his small understanding,
If the man in the frock made him one of the flock,
It must mean something very like branding.

So away with a rush he set off for the bush,
While the tears in his eyelids they glistened —
"Tis outrageous,' says he, 'to brand youngsters like me,
I'll be dashed if I'll stop to be christened!'

Like a young native dog he ran into a log,
And his father with language uncivil,
Never heeding the 'praste' cried aloud in his haste,
'Come out and be christened, you divil!'

But he lay there as snug as a bug in a rug,
And his parents in vain might reprove him,
Till his reverence spoke (he was fond of a joke)
'I've a notion,' says he, 'that'll move him.'

'Poke a stick up the log, give the spalpeen a prog;
Poke him aisy — don't hurt him or maim him,
'Tis not long that he'll stand, I've the water at hand,
As he rushes out this end I'll name him.

'Here he comes, and for shame! ye've forgotten the name —
Is it Patsy or Michael or Dinnis?'
Here the youngster ran out, and the priest gave a shout —
'Take your chance, anyhow, wid 'Maginnis'!'

As the howling young cub ran away to the scrub
Where he knew that pursuit would be risky,
The priest, as he fled, flung a flask at his head
That was labelled 'Maginnis's Whisky!'

And Maginnis Magee has been made a J.P.,
And the one thing he hates more than sin is
To be asked by the folk who have heard of the joke,
How he came to be christened 'Maginnis'!

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