Light, I know, treads the ten million stars,
And blooms in the Hesperides. Light stirs
Out of the heavenly sea onto the moon’s shores.
Such light shall not illuminate my fears
And catch a turnip ghost in every cranny.
I have been frightened of the dark for years.
When the sun falls and the moon stares,
My heart hurls from my side and tears
Drip from my open eyes as honey
Drips from the humming darkness of the hive.
I am a timid child when light is dead.
Unless I learn the night I shall go mad.
It is night’s terrors I must learn to love,
Or pray for day to some attentive god
Who on his cloud hears all my wishes,
Hears and refuses.
Light walks the sky, leaving no print,
And there is always day, the shining of some sun,
In those high globes I cannot count,
And some shine for a second and are gone,
Leaving no print.
But lunar night will not glow in my blackness,
Make bright its corners where a skeleton
Sits back and smiles, a tiny corpse
Turns to the roof a hideous grimace,
Or mice play with an ivory tooth.
Stars’ light and sun’s light will not shine
As clearly as the light of my own brain,
Will only dim life, and light death.
I must learn night’s light or go mad.

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse’s arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.